Windfall
Windfall Index
Windfall is an undergraduate literary journal of art, prose, poetry, drama, and photography. Founded in 1976, Windfall is student-composed and student-produced.
| Author | Title | Volume |
|---|---|---|
| Aden, Nathan | Untitled | 37 (2014) |
| Agan, Cara | This Space of Mine | 18 (1995) |
| Ahrens, Mike | On Poem Writing | 2:1 (1977) |
| Alexander, David | Some Correspondence | 4:2 (1980) |
| Alford, Michelle | Dread | 28 (2005) |
| Alford, Michelle | Half-Truth | 29 (2006) |
| Amador, Vicki | Finite | 5:2 (1981) |
| Amen, Belita | Snow Geese | 14 (1991) |
| Amster, Jason | Dropping | 24 (2001) |
| Amster, Jason | Maeda-ke | 25 (2002) |
| Amster, Jason | New Traditional | 25 (2002) |
| Anand, Sathya | Dying Summer | 38 (2015) |
| Anderson, Betty | Writing | 1:1 (1977) |
| Anderson, Betty etal | Ralph Salisbury: A Poet and a Person | 2:2 (1978) |
| Anderson, Joel | The Eternal Soak | 28 (2005) |
| Anderson, Thomas C | To Patti’s Boyfriend | 2:1 (1977) |
| Anonymous | Who Am I | 11:1 (1986) |
| Anonymous | For H | 18 (1995) |
| Anonymous | eyes (just an old-fashioned love rant) | 27 (2004) |
| Anonymous | I (wouldn’t you know it) | 27 (2004) |
| Anonymous | white (polar bear blinking in a blizzard) | 27 (2004) |
| Archer, Shawna | Under Glass | 23 (2000) |
| Archer, Shawna | ? | 24 (2001) |
| Archer, Shawna | Eating Apples | 25 (2002) |
| Archer, Shawna | How Poems Begin | 25 (2002) |
| Archer, Shawna | Watering Hole | 25 (2002) |
| Archer, Shawna | Modern Art | 26 (2003) |
| Archer, Shawna | Real Love | 26 (2003) |
| Archer, Shawna | Untitled | 26 (2003) |
| Arnold, Michael | Infatuation 22 | 18 (1995) |
| Arvin, Samantha | The Seriousness of Wendell Chrystler | 37 (2014) |
| Aslakson, Gwen | Cloud Pictures | 9:2 (1985) |
| Aslakson, Gwen | Mustang | 9:2 (1985) |
| Aslakson, Gwen | Rosebud | 9:2 (1985) |
| Atchison, Maria | False Freeze | 9:2 (1985) |
| Atchison, Maria | Pen/Knife | 9:2 (1985) |
| Aubuchon, Rachel | Mexico | 22 (1999) |
| Aubuchon, Rachel | Sunset | 22 (1999) |
| Aubuchon, Rich | Joe and The Charger | 11:2 (1987) |
| Augustin, Myk, etal | Bury Your Dead | 24:CD (2001) |
| Augustin, Myk, etal | When Your Courage Runs Dry | 24:CD (2001) |
| Augustine, Ruth Ann | The Window | 3:2 (1979) |
| Babb, Ruth | If I Had Wings Like a Dove | 32 (2009) |
| Bachman, Michelle | Sweet Celiac | 30 (2007) |
| Bagby, Laura | No Risk | 9:2 (1985) |
| Bagby, Laura | The Perfect Circle | 9:2 (1985) |
| Bagby, Laura | Max | 10:1 (1985) |
| Bahr, Janella | Trailer Park End | 19 (1996) |
| Bailey, Matthew, et al | Down | 24:CD (2001) |
| Baker, Aaron | Untitled #436 | 26 (2003) |
| Baker, Aaron | Descent into Gatorland | 27 (2004) |
| Baker, Aaron | Never Apologize, Never Explain: An Open Letter to Educators | 27 (2004) |
| Baker, J | [untitled photos] (2) | 14 (1991) |
| Barger, Sarah | Lady Death | 38 (2015) |
| Barkley, Lydia | Going Down | 2:2 (1978) |
| Barkley, Lydia | [untitled poem] | 2:2 (1978) |
| Barkley, Lydia | Would It Be that I Belonged to a Jet-Set | 3:1 (1978) |
| Barkley, Lydia | Saturday Festival | 5:1 (1980) |
| Barkley, Lydia | Spillway | 5:1 (1980) |
| Barkley, Lydia | Hidden Key | 6:1 (1981) |
| Barnes, Jim | Autobiography, Chapter XIX: For Andrew Grossbardt, In Memoriam | 5:1 (1980) |
| Barnes, Jim | Heartland | 5:1 (1980) |
| Barnes, Jim | Against Metempsychosis &c. | 5:2 (1981) |
| Barnhill, Sue | Barren Fields | 7:2 (1983) |
| Barnhill, Sue | The Heart | 7:2 (1983) |
| Barnhill, Sue | Night Creatures | 7:2 (1983) |
| Barnhodlt, Jill | The Letter | 9:2 (1985) |
| Barnhodlt, Jill | Nothing to Lose | 9:2 (1985) |
| Barron, Martin A | States of Meaning | 15 (1992) |
| Barry-Ford, Anna | Family Reunion | 37 (2014) |
| Bartholomew, Haley | So Much for Endings | 32 (2009) |
| Bartin, David | Candy for Other Senses | 19 (1996) |
| Bartin, David | The Great Dictator | 19 (1996) |
| Bartin, David | School of the Americas | 19 (1996) |
| Bartin, David | Sour | 19 (1996) |
| Bartin, David | This is Just to Ask You | 19 (1996) |
| Batson, Wendy | Time For Banana Bread | 33 (2010) |
| Bauer, Nona K | But for the Grace of God | 9:2 (1985) |
| Bauer, Nona K | Catharsis | 9:2 (1985) |
| Bauer, Nona K | The Final Lesson | 9:2 (1985) |
| Bauer, Nona K | Left Behind | 9:2 (1985) |
| Bauer, Nona K | One More Statistic | 9:2 (1985) |
| Bauer, Nona Kilgore | Victim | 8:1 (1983) |
| Baumann, Joseph | What is Forever | 29 (2006) |
| Baxter, Barbara | Superstars | 1:2 (1977) |
| Beard, Rachel | Super Mom | 19 (1996) |
| Bearly, Allison | Too Soon… Too Late | 37 (2014) |
| Bearly, Allison | Tea | 38 (2015) |
| Bearly, Allison | My Favorite Memory | 38 (2015) |
| Beckett, Rachel | Acceptance of the Occasion | 22 (1999) |
| Beckett, Rachel | Drowning, Drowning | 22 (1999) |
| Beckett, Rachel | Faraway Sonata | 22 (1999) |
| Beckett, Rachel | Talisman | 22 (1999) |
| Beeman, Keith | The Mis-matched Poem | 2:2 (1978) |
| Bell, Sara Jane | Untitled | 23 (2000) |
| Bell, Tony | Logic and Intellectual Stuff | 30 (2007) |
| Benefield, Hope | To Be Her | 37 (2014) |
| Benefield, Hope | And Laid Open | 37 (2014) |
| Benefield, Hope | When I Knew You | 37 (2014) |
| Benefield, Hope | And Then the After | 37 (2014) |
| Benefield, Hope | Adrienne and Francis | 38 (2015) |
| Benefield, Hope | Payments on the Principle | 38 (2015) |
| Benefield, Hope | After Judges | 38 (2015) |
| Benefield, Hope | Persistence | 38 (2015) |
| Benevento, Joe, trans | Al Ostron (New World Oyster) | 13:2 (1990) |
| Benson, Kirsten | Groupie | 38 (2015) |
| Benson, Kirsten | Beginnings | 40 (2017) |
| Benson, Kirsten | My Best Friend Asked Me To Dye Her Hair | 40 (2017) |
| Bentley, Jamie | Rain | 33 (2010) |
| Bentley, Jamie | Four AM | 33 (2010) |
| Bertlesen, Keith | Spider Webs | 28 (2005) |
| Bisges, John | Why the Aliens Invaded Jerry Rigger’s Taco Bell | 26 (2003) |
| Bissey, Vince, etal | Again | 24:CD (2001) |
| Bissey, Vince, etal | Breaking Point | 24:CD (2001) |
| Blackwell, Terri | “First Date” | 8:2 (1984) |
| Blackwell, Terri | “The Hitchhiker” | 8:2 (1984) |
| Blackwell, Terri | “Revisiting” | 8:2 (1984) |
| Blackwell, Terri | Boxes | 9:1 (1984) |
| Blackwell, Terri | Untitled | 9:1 (1984) |
| Blair, D L | Missing You | 10:1 (1985) |
| Boardman, Michael J | Winners Warning | 4:2 (1980) |
| Bodden, Shawn | Diplomacy | 32 (2009) |
| Bodden, Shawn | For Observation Starts with an Eye | 32 (2009) |
| Bodden, Shawn | Staring at Your Open Mouth from Across the Table | 32 (2009) |
| Bodie, Alison | The Fat Man | 12:1 (1987) |
| Bodie, Alison | true love and stuff | 12:2 (1988) |
| Boessen, Melody | A Postscript | 4:2 (1980) |
| Bollinger, Kara | [untitled photos] (4) | 30 (2007) |
| Bollinger, Kara | [untitled photo] | 31 (2008) |
| Borg, Gina | The Other Side of the Counter | 1:2 (1977) |
| Bortman, Jennifer | [untitled poem] | 15 (1992) |
| Bortman, Jennifer | Initiation of Hart | 16 (1993) |
| Bortman, Jennifer | Eimplicity | 16 (1993) |
| Bortman, Jennifer | Still | 16 (1993) |
| Bortman, Jennifer | untitled, “I slipped quietly” | 16 (1993) |
| Bortman, Jennifer | Anxiety | 17 (1994) |
| Bortman, Jennifer | Hell and High Water | 17 (1994) |
| Bortman, Jennifer | Summer: Kirksville, MO | 17 (1994) |
| Bowman, Claire | Sea | 33 (2010) |
| Boy, Geemer | City of Islands (For Anna) | 15 (1992) |
| Boy, Geemer | Death of Sex | 15 (1992) |
| Brain, Teri | [untitled poem] | 6:1 (1981) |
| Brain, Teri | Snowscape | 6:2 (1981) |
| Brain, Teri A | The Forest Primeval | 7:2 (1983) |
| Brennan, Scott | Crucifixion Experience – Not an Easter Tale | 11:2 (1987) |
| Brennan, Scott | Vodka Argument | 11:2 (1987) |
| Brennan, Scott | Bogart Never Wore a Blue Suit | 12:1 (1987) |
| Brennan, Scott | In the Rush (Born in a Library) | 12:2 (1988) |
| Brennan, Scott | Maya Angelou | 12:2 (1988) |
| Brennan, Scott | Pilgrimage | 13:1 (1989) |
| Brennan, Scott | Eggs | 13:2 (1990) |
| Briggs, Curt | Only A Song | 10:2 (1986) |
| Brock, Ken | Untitled #1 | 14 (1991) |
| Brock, Ken | Vanishing Point | 14 (1991) |
| Brookins, Tony, etal | Never Be | 24:CD (2001) |
| Brooks, John | Bar Scene | 20 (1997) |
| Brooks, John | Untitled | 20 (1997) |
| Brostek, Jennifer L | [untitled photo] | 19 (1996) |
| Brown, Ben | [untitled poem] (4) | 1:2 (1977) |
| Brown, Brad | Owen Harte Grows Up | 27 (2004) |
| Brown, Brad | I Have to be a Writer | 28 (2005) |
| Brown, Chelsea | Child [unknown medium] | 31 (2008) |
| Brown, Chelsea | Twilight Zone [photo] | 31 (2008) |
| Brown, Joe, etal | Old Man [music recording] | 24:CD (2001) |
| Brown, Neal | alarm clock on nightstand | 23 (2000) |
| Brown, Neal | nude ascending a staircase | 23 (2000) |
| Brown, Neal | Towns in Missouri | 23 (2000) |
| Brown, Neal | wantblossom | 24 (2001) |
| Brown, Rachel | This Is | 33 (2010) |
| Brown, Sterling | Heartbeat of the Hood | 26 (2003) |
| Brown, Sterling | How Beauty Wakes Up | 26 (2003) |
| Brown, Sterling | My Lips | 26 (2003) |
| Brown, Sterling | Read Them Words | 26 (2003) |
| Brown, Travis | photos of death and birth | 23 (2000) |
| Brown, Travis | winter rain | 23 (2000) |
| Bryson, Denise M | Primetime with Bruce Springsteen | 16 (1993) |
| Bryson, Denise M | Solitaire | 16 (1993) |
| Bryson, Denise M | Three R’s | 16 (1993) |
| Bryson, Denise M | To Not Go Gently | 16 (1993) |
| Bryson, Denise M | Mother’s Tantrum | 17 (1994) |
| Bryson, Denise M | Passage | 17 (1994) |
| Bryson, Denise M | Ripening | 18 (1995) |
| Bryson, Michael | Midnight | 16 (1993) |
| Bryson, Michael | American Golgothic | 17 (1994) |
| Bryson, Michael | Back to Vietnam | 17 (1994) |
| Bryson, Michael | Better to Reign | 17 (1994) |
| Bryson, Michael | Carnival of Sorts | 17 (1994) |
| Bryson, Michael | Leaving | 17 (1994) |
| Bryson, Michael | Masada | 17 (1994) |
| Bryson, Michael | Salvation in Beeville, Texas | 17 (1994) |
| Bryson, Michael | Water of Life | 17 (1994) |
| Bryson, Michael | The Blues Made Flesh | 19 (1996) |
| Bryson, Michael | Bug Dance | 19 (1996) |
| Bryson, Michael | Listening to the Laughter of the Masses at 3 A.M. | 19 (1996) |
| Bunyard, Amanda | The Proof is Everywhere | 24 (2001) |
| Bunyard, Amanda | Self-Portrait: Anticipation | 24 (2001) |
| Bunyard, Amanda | [untitled CD cover art] | 24:CD (2001) |
| Burasco, Bo | Untitled | 33 (2010) |
| Burasco, Bo | Untitled | 33 (2010) |
| Burasco, Bo | Untitled | 33 (2010) |
| Burkhart, Roy | Sacrifice | 5:2 (1981) |
| Burkhart, Roy E | Night Songs | 6:2 (1981) |
| Burkhart, Roy E | Fluid Personality | 7:2 (1983) |
| Burkhart, Roy E | Two Scenes: Bible Grove , Missouri | 7:2 (1983) |
| Burland, Anna | Charon on the River | 38 (2015) |
| Burns, Kelley C | Arthur’s Harp | 6:2 (1981) |
| Bush, David, etal | Hazard to Ya Booty | 24:CD (2001) |
| Cadwell, Emily | akumu [*] | 25 (2002) |
| Cadwell, Emily | beautiful chick no. 1 [*] | 25 (2002) |
| Cadwell, Emily | beautiful chick no. 4 [*] | 25 (2002) |
| Cadwell, Emily | mommy tell me the monsters in my head aren’t real [print] | 25 (2002) |
| Cadwell, Emily | temptation satisfied [*] | 25 (2002) |
| Cadwell, Emily | wipe that smart mouth off your face [*] | 25 (2002) |
| Cadwell, Emily | [*unknown medium] | 25 (2002) |
| Camp, Les | Words | 7:2 (1983) |
| Camp, Leslie H | Dawn’s First Light | 3:2 (1979) |
| Camp, Leslie H | Immortalizing a Sunday Afternoon | 3:2 (1979) |
| Campbell, Beth | Portrait | 16 (1993) |
| Campbell, Beth | [untitled transfer lithograph] | 16 (1993) |
| Canessa, Caroline | Untitled | 24 (2001) |
| Cannell, Heather S | As the Crow Flies | 18 (1995) |
| Cannell, Heather S | [untitled poem] | 18 (1995) |
| Cannon, J R | Number Fun Day | 21 (1998) |
| Cannon, James | Business Merger | 1:1 (1977) |
| Cannon, James | She Sits There | 1:1 (1977) |
| Cannon, James | Social Event | 1:1 (1977) |
| Cannon, James, etal | William Staford: “Writing is Friend’s Talking” | 1:2 (1977) |
| Cannon, Jonathan | The Death of Jim’s Wife Was a Tragedy | 22 (1999) |
| Cannon, Jonathan | Fractal Gods | 22 (1999) |
| Cannon, Jonathan | Trends in Modern Music | 22 (1999) |
| Cannon, Jonathan | Hilary | 23 (2000) |
| Cannon, Jonathan | Blue | 24 (2001) |
| Cannon, Jonathan | Untitled | 24:CD (2001) |
| Cannon, Michael | as abstract as zero | 15 (1992) |
| Cannon, Michael | ozgod | 15 (1992) |
| Canole, Janet | A Game | 1:2 (1977) |
| Capps, David | Perched | 23 (2000) |
| Capps, David | Rivers | 24 (2001) |
| Capps, David | (To F. Exley) | 24 (2001) |
| Capps, David | Aria | 25 (2002) |
| Capps, David | The Jeweler and the Old Woman | 25 (2002) |
| Capps, David | Tourism | 25 (2002) |
| Capps, David | Excerpt for the Manual: “Becoming a Minor Deity” | 26 (2003) |
| Capps, David | Expose | 26 (2003) |
| Capps, David | House of Cards | 26 (2003) |
| Capps, David | Pen-pals | 26 (2003) |
| Capps, David | Poem | 26 (2003) |
| Carpenter, Cher | The Eyes Of An Innocent Bystander | 9:2 (1985) |
| Carpenter, Cher | Friendship in My Pocket | 9:2 (1985) |
| Carpenter, Cher | Procrastination | 9:2 (1985) |
| Carrico, Rachel | Cuban Rice | 24 (2001) |
| Carrico, Rachel | Original Sin | 24 (2001) |
| Carriker, Kitti | Disappointment | 1:1 (1977) |
| Carriker, Kitti | Full Moon | 1:1 (1977) |
| Carriker, Kitti | [untitled poem] | 1:1 (1977) |
| Carriker, Kitti | Each Day | 3:1 (1978) |
| Carriker, Kitti, etal | William Staford: “Writing is Friend’s Talking” | 1:2 (1977) |
| Carriker, Kitti, etal | Ralph Salisbury: A Poet and a Person | 2:2 (1978) |
| Carroll, Christina Ann | Through the Eyes of a Child | 19 (1996) |
| Carson, Kathy | Lincoln as a Company President | 6:1 (1981) |
| Carter, Angela | Remember Brother | 30 (2007) |
| Casady, Tamara | Because Whitman Remembered Lincoln… | 7:2 (1983) |
| Cassada, David | Requiem | 4:2 (1980) |
| Castle, Bruce | High Ethics in Office: Lincoln and Truman | 4:1 (1979) |
| Castle, Bruce E | When We Were Very Young | 2:2 (1978) |
| Castle, Bruce E | [untitled poem] | 2:2 (1978) |
| Castle, Bruce E | Nostalgia | 3:1 (1978) |
| Caton, Codi | GeoCaching Poem #3 | 38 (2015) |
| Caton, Codi | The Day Everyone Lived Like it was Their Last | 38 (2015) |
| Caton, Codi | After Linus the Squirrel Died | 38 (2015) |
| Caton, Codi | Pulled Roots | 38 (2015) |
| Cecil, J James | Outside, Neon Light | 4:2 (1980) |
| Cecil, J James | Sirens | 4:2 (1980) |
| Chandler, Todd | Personal Holiday | 12:1 (1987) |
| Chappelow, Suzanne | Old Testament | 26 (2003) |
| Chatham, Kira | Catch a Falling Star | 38 (2015) |
| Chatham, Kira | Sleepwalking | 38 (2015) |
| Chotrow, Kaitlyn | in His opinion | 38 (2015) |
| Christain, Annie | No Glue For You | 24 (2001) |
| Christain, Annie | A Love of Higher Learning | 25 (2002) |
| Christain, Annie | So Much Depends Upon KFC | 26 (2003) |
| Claggett, Shalyn | Someday I Shall Be a Cadaver | 20 (1997) |
| Claggett, Shalyn | The Vicious Circle | 20 (1997) |
| Clamp, Catherine | The Quartet | 18 (1995) |
| Clark, Elizabeth | Glimpses | 5:2 (1981) |
| Clark, Elizabeth | Art Show | 6:1 (1981) |
| Clark, Elizabeth | Unmentionables | 6:1 (1981) |
| Clark, Erin | Bait | 29 (2006) |
| Clark, Erin | Me | 29 (2006) |
| Clark, Kevin | Chalkboards | 10:2 (1986) |
| Clark, Kevin | Walking to Dyer’s Pond | 10:2 (1986) |
| Clark, Kevin | Prelude to Ice Fishing | 11:1 (1986) |
| Clark, Kevin | When You Died | 11:1 (1986) |
| Clark, Lisa | [untitled poem] (2) | 10:2 (1986) |
| Clark, Michael | Chase on Bucksaw Point | 5:1 (1980) |
| Clark, Michael | The Last Climb | 5:1 (1980) |
| Clark, Michael | Hitchhiking Up Poas Volcano | 5:2 (1981) |
| Clark, Michael | On Laureno Alban’s Leaving Costa Rica | 5:2 (1981) |
| Clark, V, etal | Hazard to Ya Booty [music recording] | 24:CD (2001) |
| Cleeton, R J | The Hard Way | 10:2 (1986) |
| Cline, Franklin | Lady MacBeth | 31 (2008) |
| Cobb, Skye | Lake [photo] | 28 (2005) |
| Coleman, Annie | Prozac World | 22 (1999) |
| Coleman, Annie | Ache | 25 (2002) |
| Coleman, Annie | Petites Fours | 25 (2002) |
| Coleman, Annie | terminal song | 25 (2002) |
| Coleman, Annie | tire swing | 25 (2002) |
| Coleman, Mark | Shocked Back to Life | 1:1 (1977) |
| Coleman, Mark | Blues Concert | 2:1 (1977) |
| Coleman, Mark | Over the Edge | 2:1 (1977) |
| Collins, Lisa L | Charybdis | 10:2 (1986) |
| Collins, Lisa L | Furrows | 10:2 (1986) |
| Collins, Michael | N’Orleans | 3:1 (1978) |
| Collins, Michael | No Coffee | 4:1 (1979) |
| Collins, Michael | Refugee | 4:1 (1979) |
| Collins, Ronnee | Easy Chair | 10:2 (1986) |
| Collins, Ronnee | Harvest | 10:2 (1986) |
| Comstock, Jason “Nomads of Disaster” | Far Away From Sight | 24:CD (2001) |
| Condon, Kevin | The Golden Snake | 17 (1994) |
| Convers, Claudia | Self Portrait | 33 (2010) |
| Conway, Adam | Freedom From Want | 32 (2009) |
| Conway, Adam | Not a Poem about a Rose | 32 (2009) |
| Conway, Adam | On My Reluctance Toward Continuing Education | 32 (2009) |
| Conway, Adam | A Sense of Constellations | 32 (2009) |
| Cook, Gina | i am so young | 30 (2007) |
| Cook, Gina | meditation No. 2 | 30 (2007) |
| Cook, Gina | Postmodern Pricks | 30 (2007) |
| Cook, Rachel | A Parting Gift | 38 (2015) |
| Cooper, Akela | 21st Century Way to Get a Man | 26 (2003) |
| Coram, Nora | Impressions | 4:2 (1980) |
| Coram, Nora | On Separation | 4:2 (1980) |
| Cornelius, Gregory | The Whisper of Dawn | 23 (2000) |
| Corson, Kathleen | [untitled etching] (2) | 16 (1993) |
| Costa, Sal | [untitled poem] | 1:1 (1977) |
| Cottey, Pat | “Marigold Bed” Revisited | 5:2 (1981) |
| Cowan, Pamela | You and I | 2:1 (1977) |
| Cowan, Robert E | The Horror, The Horror | 1:1 (1977) |
| Cowan, Robert E | Ransome’s Man | 2:1 (1977) |
| Cowan, Robert E | The Allegory | 3:2 (1979) |
| Cowles, Ellison | Nightmare | 5:2 (1981) |
| Craig, Jennifer | Manifesto | 10:SpEd (1986) |
| Craig, Jennifer | Shattered Glass Slippers | 10:SpEd (1986) |
| Crawford, Jennifer | Grandpa’s Sweater | 29 (2006) |
| Crawford, Jennifer | Modern Mary | 29 (2006) |
| Crowell, Amanda | Advent | 22 (1999) |
| Crowell, Amanda | Alone in a Full-Sized Bed | 22 (1999) |
| Crowell, Amanda | High School Julia | 22 (1999) |
| Crowell, Amanda | Untitled | 22 (1999) |
| Cruse, Jason A | Three Days on the Levee | 17 (1994) |
| Cunningham, Katie | Inner Feelings | 10:SpEd (1986) |
| Cunningham, Katie | Manifesto | 10:SpEd (1986) |
| Dahmer, Emily | Birds | 31 (2008) |
| Dahmer, Emily | Brocade Teapot | 31 (2008) |
| Dahmer, Emily | Gimlet Eye | 31 (2008) |
| Daniel, Lynn O | [untitled poem] | 1:1 (1977) |
| Daniels, Martha | Autumn Pieces | 6:1 (1981) |
| Daniels, Martha | Sonnet | 6:2 (1981) |
| Darrin, Rob | I Could Not Sleep In A Mirror | 33 (2010) |
| Darrin, Rob | Starting the Car in Snow | 33 (2010) |
| Darrin, Rob | A Match Discarded | 33 (2010) |
| Datz, Carter | Waiting | 37 (2014) |
| Datz, Carter | Farewell to Hello | 37 (2014) |
| Datz, Carter | But When I Look at Her | 37 (2014) |
| Datz, Carter | Vacation | 37 (2014) |
| Davidsmeier, Victory | [untitled poem] | 18 (1995) |
| Davidsmeier, Victory | Mine | 19 (1996) |
| Davidsmeier, Victory | Touched | 19 (1996) |
| Davis, Brad | A Brief Guide to my Subconscious | 31 (2008) |
| Davis, Brad | Fingertips | 32 (2009) |
| Davis, Brad | Hands and Knees | 32 (2009) |
| Davis, Gordon, etal | Down | 24:CD (2001) |
| Davis, Kirsten | Alaskan Waitress | 18 (1995) |
| Davis, Kirsten | I Was the One | 18 (1995) |
| Davis, Kirsten | Moon-scenes | 18 (1995) |
| Davison, Jane | Snowmass | 18 (1995) |
| Davison, Jane | Surreal Poetry for the Spider | 18 (1995) |
| Deagan, Jim | They Call Him Chuck | 16 (1993) |
| Decker, Andrew | Import | 14 (1991) |
| Decker, Andrew | Tap | 14 (1991) |
| Decker, Andy | The Square | 10:2 (1986) |
| Decker, Andy | Cheap Thrill | 11:2 (1987) |
| Decker, Andy | Glimpse from a Tower | 11:2 (1987) |
| Decker, Andy | A New Beginning | 11:2 (1987) |
| De Guzman, Bryan | Blood Road | 32 (2009) |
| De Guzman, Bryan | Canyon Light | 32 (2009) |
| Dennis, Sarah | Thanatopsis | 21 (1998) |
| Dennis, Sarah | 6336 | 22 (1999) |
| DePaula, Paulo | Rataplan | 10:1 (1985) |
| DeVine, Drew | Peanuts | 32 (2009) |
| Dewey, James P | Silent Letters | 2:2 (1978) |
| Dewey, James P | Cookies | 3:2 (1979) |
| Dewey, James P | Silent Letters | 30 (2007) |
| Dexter, Genea | Fairytales Don’t Last Forever | 10:2 (1986) |
| Dierker, Allys | For Thad | 11:1 (1986) |
| Dierker, Allys | Lonely Nights | 11:1 (1986) |
| Dierker, Allys | Umbrella | 11:1 (1986) |
| Dimmitt, Milly | Emotion Pictures | 1:1 (1977) |
| Dimmitt, Milly | Shadows | 1:1 (1977) |
| Dimmitt, Milly, etal | William Staford: “Writing is Friend’s Talking” | 1:2 (1977) |
| Dinkins, Jesse | junkyard love story | 38 (2015) |
| Disbro, Russell | * | 25 (2002) |
| Disbro, Russell | Radiojunkie | 25 (2002) |
| Dixson, Marcia D | Poem | 7:2 (1983) |
| Dobbler, Zachary T | upon learning that alan gustafson was dead | 16 (1993) |
| Doctorian, Sonya | Watcher; Player | 5:2 (1981) |
| Dolan, Brigid | Yesterday’s Puzzle | 20 (1997) |
| Dolbeare, Stephanie | Been Living Here for Months, Lord | 22 (1999) |
| Dolbeare, Stephanie | Fisherman | 24 (2001) |
| Dorhauer, Adam | Concert | 29 (2006) |
| Dorhauer, Adam | Darkness | 29 (2006) |
| Dorhauer, Adam | The Museum | 29 (2006) |
| Dorsey, Michelle | The Gutters of Paris | 16 (1993) |
| Dorsey, Michelle | The Holy Innocents | 16 (1993) |
| Dorsey, Michelle | Nursery Rhyme | 16 (1993) |
| Dover, Breanne | Maria Victoria | 38 (2015) |
| Downs, Andrew | In My Mother’s House | 19 (1996) |
| Drusan, Aurel | Running #1, #2 & #3 | 14 (1991) |
| Dudgeon, Irene | The Gospel According to . | 1:1 (1977) |
| Dunford, Wade | My Philosophy of Writing | 10:SpEd (1986) |
| Dunford, Wade | Puffs of Life and Death | 10:SpEd (1986) |
| Dux, Megan | Ryder | 38 (2015) |
| Eagan, Patrick | Rationalize | 26 (2003) |
| Eagan, Patrick | Stay | 26 (2003) |
| Eagan, Patrick | untitled #1 | 27 (2004) |
| Eastman, Bruce | In the Gutter | 2:2 (1978) |
| Eastman, Bruce | Lacuna | 2:2 (1978) |
| Eastman, Bruce | Journal Entry: Rutherford, NJ | 3:1 (1978) |
| Eastman, Harold | To my son Jon on his 18th Birthday | 1:1 (1977) |
| Eastman, Harold | Without You | 1:1 (1977) |
| Eastman, Harold | Unga Unga | 2:1 (1977) |
| Eastman, Jon | Matacao Above Sao Bartolomeu | 4:1 (1979) |
| Eberline, Ron | Insight | 9:1 (1984) |
| Eckersley, LeRoy | Combat Blues | 10:1 (1985) |
| Edge, Laura | “Perceptions of Lincoln” | 10:2 (1986) |
| Eiken, Linda | [untitled poem] | 15 (1992) |
| Ellerbusch, Riley | Autumn Scene | 4:1 (1979) |
| Ellerbusch, Riley | Ghetto Flower | 4:1 (1979) |
| Ellerbusch, Riley | Mirror | 4:2 (1980) |
| Ellerbusch, Riley D | Intimations of Insanity | 4:2 (1980) |
| Ellerbusch, Riley D | Sleeping | 4:2 (1980) |
| Ellerbusch, Riley D | An Open Letter To Student Writers | 6:1 (1981) |
| Emerson, Sprague | Triangular Reasoning | 6:1 (1981) |
| Enloe, Heather | Bluebeard’s Question | 10:SpEd (1986) |
| Enloe, Heather | Manifesto | 10:SpEd (1986) |
| Epperson, John “JAE” | Loneliness | 1:1 (1977) |
| Epperson, John “JAE” | Untitled | 1:1 (1977) |
| Epperson, John “JAE” | [untitled poem] | 1:1 (1977) |
| Epperson, John “JAE” | Winter | 1:1 (1977) |
| Estep, Ashlee R. | Sap | 38 (2015) |
| Eudy, Douglas | Staircase for Melk | 28 (2005) |
| Evans, Frank | “Motion Passed” | 7:2 (1983) |
| Evans, Maria | 20% Sunlight | 3:2 (1979) |
| Fairchild, Callen | The Coffee Shop | 9:1 (1984) |
| Fairchild, Callen | Haven in the Hay | 9:1 (1984) |
| Farkas, Laura | Childhood Wood | 29 (2006) |
| Farkas, Laura | Touch Me Not | 29 (2006) |
| Farrar, Julie | Memories | 1:2 (1977) |
| Farrar, Julie | Alan Was Always There | 3:1 (1978) |
| Farrar, Julie | A Conversation with Lucien Stryk | 3:2 (1979) |
| Fear, Joseph | Drifting | 24 (2001) |
| Fear, Joseph | Act I Finale from Hamlin | 24:CD (2001) |
| Feintuch, Eran | The Promise | 29 (2006) |
| Feintuch, Eran | Simchat Torah | 29 (2006) |
| Feintuch, Eran | At the hot air balloon show | 31 (2008) |
| Feintuch, Eran | This Year in Jerusalem | 31 (2008) |
| Feldman, Alice | Reagan Drops Sky on Chicken Little | 11:2 (1987) |
| Ferris, Anne | Untitled | 22 (1999) |
| Fester, Heather | The Cherry Tree | 23 (2000) |
| Fester, Heather | Reaching Out | 23 (2000) |
| Fischer, Jenna | Gladiola Gardens | 15 (1992) |
| Fischer, Robert E | A Taken Path | 6:1 (1981) |
| Fischer, Robert E | Water Fall | 6:1 (1981) |
| Fitzgerald, Lisa | The Pennies | 6:2 (1981) |
| Flashpohler, Ellen | La Leon | 1:1 (1977) |
| Flickenger, Debra | Untitled (2) | 3:2 (1979) |
| Floyd, Shelby, Metal | Bury Your Dead | 24:CD (2001) |
| Floyd, Shelby, Metal | When Your Courage Runs Dry | 24:CD (2001) |
| Flynn, Debbie | [untitled poem] | 1:2 (1977) |
| Foody, Maureen | New Year’s | 32 (2009) |
| Frank, Jennifer | Affection | 11:1 (1986) |
| Frank, Lydia | Untitled | 37 (2014) |
| Frank, Lydia | Untitled | 37 (2014) |
| Frank, Lydia | Origins of Life | 38 (2015) |
| Frank, Lydia | compass north; or, an open love letter to the next person i fall in love with | 38 (2015) |
| Frank, Lydia | Eulogy to Summer | 38 (2015) |
| French, Janae | Face | 22 (1999) |
| French, Janae | Butterfly and Artist [*] | 23 (2000) |
| French, Janae | Little Buddha [*] | 23 (2000) |
| French, Janae | Self Portrait as Catharine of Aragon [*] | 23 (2000) |
| French, Janae | Self Portraits [*] | 23 (2000) |
| Fuhrman, Susan | Holy City | 24 (2001) |
| Fuller, Serena | Storm Watch | 14 (1991) |
| Gakuo, Mumbi | The World of My Fathers | 1:2 (1977) |
| Gammill, Arliss | Amber | 27 (2004) |
| Gammill, Arliss | Canvas | 27 (2004) |
| Gammill, Arliss | Click | 27 (2004) |
| Gammill, Arliss | Danny, the Empress, and Christmas Lights | 27 (2004) |
| Gammill, Arliss | Jealousy | 27 (2004) |
| Gammill, Arliss | Julie | 27 (2004) |
| Gammill, Arliss | Kenya | 27 (2004) |
| Gammill, Arliss | Legacy | 27 (2004) |
| Gammill, Arliss | Musah | 27 (2004) |
| Gammill, Arliss | Sonnet #1 | 27 (2004) |
| Gammill, Arliss | The Wilbur AE-86 | 27 (2004) |
| Gang, Aaron | On Seeing Ginsberg | 17 (1994) |
| Gang, Aaron | River Queen | 17 (1994) |
| Gang, Aaron | Taking Pictures | 17 (1994) |
| Gardner, Erin | Adultry | 26 (2003) |
| Gardner, Erin | Friday Morning | 26 (2003) |
| Gargus, Jane | Shut Up | 15 (1992) |
| Garrett, Benjamin | Real Men Don’t Rape | 30 (2007) |
| Garton, John | The Postgraduate | 19 (1996) |
| Garton, John | Cretan Brothel | 20 (1997) |
| Garton, John | Grampa’s New Hip | 20 (1997) |
| Garwood, Zach | An Evolution | 28 (2005) |
| Garwood, Zach | Like Father, Like Son | 28 (2005) |
| Garwood, Zach | Ode et Amo | 28 (2005) |
| Garwood, Zach | Utica, Missouri’s Greatest Love Affair | 28 (2005) |
| Garwood, Zach | You Are the Only Dream | 28 (2005) |
| Garwood, Zach | About “Fuck” | 29 (2006) |
| Garwood, Zach | Burnt Lip | 29 (2006) |
| Garwood, Zach | here and there | 29 (2006) |
| Gasch, Jessie | to eat a dreamsicle | 31 (2008) |
| Gasch, Jessie | secrets | 31 (2008) |
| Gasch, Jessie | soul | 31 (2008) |
| Gass, Joseph M | What is Love | 1:2 (1977) |
| Gathman, Cabell | Untitled | 23 (2000) |
| Gathman, Cabell | Untitled #4 | 24 (2001) |
| Gathman, Cabell | Untitled #5 | 24 (2001) |
| Gathman, Cabell | The day you let to ocean win | 25 (2002) |
| Gathman, Cabell | Motoon Norinaga stumbles through Shibuya at 2am | 25 (2002) |
| Gathman, Cabell | signs of the end of the world | 25 (2002) |
| Gathman, Cabell | Trail of Tears State Park, Cape Girardeau County, Missouri, USA | 25 (2002) |
| Gathman, Cabell | unfinished family tree loose ends | 25 (2002) |
| Gathman, Cabell | [untitled photo] (2) | 25 (2002) |
| Gathman, Cabell | desert, darling | 25 (2002) |
| Gathman, Cabell | love song for girl in chat room #2 | 25 (2002) |
| Gathman, Cabell | the old men married girls | 25 (2002) |
| Gathman, Cabell | philosophy notes | 25 (2002) |
| Gathman, Cabell | squirrels | 25 (2002) |
| Gathman, Cabell | untitled #6 | 25 (2002) |
| Gearin, Conor | Napping in Late November | 37 (2014) |
| Gearin, Conor | Revolution | 37 (2014) |
| Gearin, Conor | Cantaloupe Island (After Herbie Hancock) | 38 (2015) |
| Gearin, Marisa | Poll | 37 (2014) |
| Gearin, Marisa | Some Days it’s Cold And | 37 (2014) |
| Gearin, Marisa | Harvest | 38 (2015) |
| Gegg, Theresa | Listen Parents | 1:1 (1977) |
| Gegg, Theresa | Reflection | 1:1 (1977) |
| Gettinger, Katie | Downhill Battle | 31 (2008) |
| Gheens, Susan | Metamorphosis | 1:1 (1977) |
| Gheens, Susan | Steven Captured | 1:1 (1977) |
| Ghormley, Samantha | Carrington Avenue | 32 (2009) |
| Ghormley, Samantha | Mabelline Midnight Black | 32 (2009) |
| Gies, Paul J | Crash at Night | 9:2 (1985) |
| Gillette, Sally | Feelings | 10:1 (1985) |
| Gillette, Sally | When Time Stopped | 10:1 (1985) |
| Gillette, Sally | The Stranger | 11:1 (1986) |
| Gillette, Sally | Initiation | 12:1 (1987) |
| Gillette, Sally | Juncture | 12:1 (1987) |
| Gillette, Sally | Today Has Been Cancelled | 12:1 (1987) |
| Gilmore, Shawn | The End of the Rain | 23 (2000) |
| Gilmore, Shawn | “Butterfly Woman” | 24 (2001) |
| Gilmore, Shawn | Highway | 24 (2001) |
| Givarz, Erin | Afraid to Be | 29 (2006) |
| Givarz, Erin | Let’s Blur Together | 29 (2006) |
| Givarz, Erin | Images of Fall | 30 (2007) |
| Givarz, Erin | Once I Gave You My Heart, But Now I’m Just a Pretty Soul] | 30 (2007) |
| Givarz, Erin | Plasticity | 30 (2007) |
| Givarz, Erin Lee | Memory | 31 (2008) |
| Glasscock, Ame. | The Harness Hangs | 2:1 (1977) |
| Glasscock, Ame. | Shoshone Burial | 2:1 (1977) |
| Goeke, Nancy | Entrapment | 2:1 (1977) |
| Goeke, Nancy | Songs and Old Singers | 2:1 (1977) |
| Goeke, Nancy | Willing Suspension of Disbelief | 3:1 (1978) |
| Golden, Kathy | Through Her Eyes | 10:1 (1985) |
| Goldman, Peter | A Consideration of Weighty Matters | 4:2 (1980) |
| Goodheart, Jill | Degas | 20 (1997) |
| Goodman, Krista | Default Future | 33 (2010) |
| Goodman, Krista | transcendencetranscendency | 33 (2010) |
| Goodman, Krista | Untitled | 33 (2010) |
| Goodman, Krista | Abandon | 32 (2009) |
| Goodman, Mary | Haiku [4] | 8:2 (1984) |
| Goodman, Mary | My Husband | 9:1 (1984) |
| Gordon, Sarah | Phenomenal Woman Series | 21 (1998) |
| Gorham, Nic, etal | Down | 24:CD (2001) |
| Goulden, Nancy Rost | To the Chamber of Commerce | 7:2 (1983) |
| Goulden, Nancy Rost | Snow Castle | 8:1 (1983) |
| Grabish, McKenzie | Barbara LeAnne | 37 (2014) |
| Grabish, McKenzie | Untitled | 38 (2015) |
| Grabish, McKenzie | Coral Cactus | 38 (2015) |
| Graef, Rachael | Undertow | 38 (2015) |
| Graef, Rachael | Giraffefix | 38 (2015) |
| Grant, Andrew | Brick. Singular. | 15 (1992) |
| Greene, Kim Patrice | To My Mother | 2:2 (1978) |
| Greene, Kim Patrice | [untitled poem] (2) | 3:1 (1978) |
| Greenspan, Lauren | Waiting to Rise | 33 (2010) |
| Gregg, David | She Says A Residue, From Me To You Could Suffice As A Good Poem Title | 29 (2006) |
| Gresoski, Kira | The Last Bucardo Goat | 38 (2015) |
| Gresoski, Kira | A Mother’s Back | 38 (2015) |
| Griess, Emi | Lost | 33 (2010) |
| Griess, Emi | Uncertainty | 33 (2010) |
| Griffin, Staria | Hopes Deferred | 8:2 (1984) |
| Griffin, Staria | Grass | 8:2 (1984) |
| Griffith, Jean | Illuminance | 17 (1994) |
| Griffith, Jean | Passion | 17 (1994) |
| Griffith, Jean | Shoes | 17 (1994) |
| Grodie, Stephanie | From Paris, With Love | 32 (2009) |
| Grodie, Stephanie | Staircase | 32 (2009) |
| Grodie, Stephanie | Window to My Soul | 32 (2009) |
| Grote, Brenda | Freedom in His Wings | 3:2 (1979) |
| Gruenloh, Laura | [untitled poem] | 10:1 (1985) |
| Gulinson, Betsy Elaine | The Lion | 23 (2000) |
| Gulinson, Betsy Elaine | The Lion’s Heart | 23 (2000) |
| Gulinson, Betsy Elaine | “Wire” | 23 (2000) |
| Hackney, Amanda | Battling Ancient Evil | 28 (2005) |
| Hackney, Amanda | Inside the Great Spirit’s House | 28 (2005) |
| Hackney, Amanda | Mirrors | 28 (2005) |
| Hackney, Amanda | A World of Eyes | 28 (2005) |
| Haeffner, Jill | When that Time Comes | 11:2 (1987) |
| Hagen, Steven James | Listening Post- Khe Sahn- November, ’72 | 10:1 (1985) |
| Hagerla, Bryan | Puberty | 12:2 (1988) |
| Hagerla, Bryan | Poetry as Art: An Interview with Ben Bennani | 13:1 (1989) |
| Hahn, Kjell | Self-Portrait (2) | 24 (2001) |
| Hahn, Kjell | Untitled | 24 (2001) |
| Haile, Pat | [untitled poem] | 1:1 (1977) |
| Haile, Pat | Lincoln: Strength and Compassion | 2:1 (1977) |
| Haile, Patricia | The Lincoln Nobody Knows: The Tenderhearted | 3:1 (1978) |
| Hainline, Joseph | Orpheus | 24:CD (2001) |
| Halcomb, Jack | Animal Presence | 18 (1995) |
| Halcomb, Jack | Army Brats and God | 18 (1995) |
| Halcomb, Jack | Cartography | 18 (1995) |
| Halcomb, Jack | Late Night Grading Blues and Epiphany | 18 (1995) |
| Halcomb, Jack | Vigilance | 18 (1995) |
| Hall, Emily | [untitled photo] (2) | 22 (1999) |
| Hamidi, Cathy | Taking it Slow | 10:2 (1986) |
| Hamilton, Amanda | Always the Moon | 33 (2010) |
| Hamilton, Amanda | The Empty Heart | 33 (2010) |
| Haney, Jason | African History | 23 (2000) |
| Hansen, Erik, etal | Hazard to Ya Booty | 24:CD (2001) |
| Hardin, Adam | Blue Car | 24:CD (2001) |
| Hardin, Adam | Bustin’ | 24:CD (2001) |
| Harrill, Arthur | A Day in the Life of Mr. Jones | 29 (2006) |
| Harris, Keith | Looking for You | 2:1 (1977) |
| Harris, Keith | Slips Into Dawn | 2:1 (1977) |
| Harris, Keith | Slips Into Dawn [reprint] | 30 (2007) |
| Harrison, Jane | Anticipation | 25 (2002) |
| Harrison, Jane | Passacaglia | 25 (2002) |
| Hart, Jason | Buried; Grasping for the Lightbulb | 25 (2002) |
| Hart, Jason | Of Miss Teasdale | 28 (2005) |
| Hartzell, John | A Generic Movie-making Guide for Fun, Profit, and Self-improvement | 8:2 (1984) |
| Hartzell, John | Finger Faith | 8:2 (1984) |
| Hartzell, John | Love Out the Ass | 8:2 (1984) |
| Harvey, Judy | Mother to Daughter | 18 (1995) |
| Harvey, Kath | First Snow: First Death | 2:1 (1977) |
| Harvey, Kath | Flight to Freedom | 2:1 (1977) |
| Hashimoto, Fujiko | Grandpa’s Garden | 9:2 (1985) |
| Hashimoto, Fujiko | Haiku | 9:2 (1985) |
| Haupt, Jeremy, etal | Old Man | 24:CD (2001) |
| Hauser, Leif | A Twenty-four Hour Repair | 13:1 (1989) |
| Hauser, Leif | Kirksville of Today | 13:2 (1990) |
| Hauser, Leif | Untitled | 13:2 (1990) |
| Hauser, Leif | YellowLightAcceleration | 13:2 (1990) |
| Hayes, Nancy A | City Kid | 9:2 (1985) |
| Hayes, Nancy A | It’s Been a Long Day | 9:2 (1985) |
| Hayes, Nancy A | This Cold Time | 9:2 (1985) |
| Healy, Brian | I’m a Hep-Cat Now | 18 (1995) |
| Healy, Brian | Sand Man (on hearing jack’s voice for the first time) | 18 (1995) |
| Healy, Brian | Skinny Dipping | 18 (1995) |
| Heimann, Susan | Rain | 8:2 (1984) |
| Heimann, Susan | The Beach | 9:1 (1984) |
| Heimann, Susan | Computer Folk | 9:1 (1984) |
| Heimann, Susan | Flashes from the Past | 9:1 (1984) |
| Heimann, Susan | Spring’s Whisper | 9:1 (1984) |
| Heimann, Susan | The Poet’s Song | 9:2 (1985) |
| Heimdal, Linda | Torment | 10:2 (1986) |
| Heiser, Cheri | [untitled photo] (2) | 20 (1997) |
| Helmbrech, Brenda M | Out of Whack in the Cosmos: a Study in Big Hair and Overalls | 20 (1997) |
| Hemphill, Jennifer | Lost Memory | 10:SpEd (1986) |
| Hemphill, Jennifer | Manifesto | 10:SpEd (1986) |
| Henderson, Casey | Untitled | 33 (2010) |
| Henderson, Casey | Pause | 33 (2010) |
| Henderson, Connie | [untitled poem] | 6:1 (1981) |
| Henry, Jami | Leaf | 4:1 (1979) |
| Hermann, Cathy | For Jim | 15 (1992) |
| Hersey, Donna E | Leftovers | 10:2 (1986) |
| Heubel, Katy | The Box | 33 (2010) |
| Higgs, James H III | The Garden of Eden | 2:2 (1978) |
| Hilbert, Amy | Inheritance | 11:1 (1986) |
| Hill, Brian | Passing Silence | 9:2 (1985) |
| Hill, Brian R | The Caress of Steel | 9:2 (1985) |
| Hillman, Steve | The Coming | 4:1 (1979) |
| Hillman, Steve | Tears of Water | 4:1 (1979) |
| Hindrichs, Cheryl | I-44, Tuxon Exit | 19 (1996) |
| Hindrichs, Cheryl | late January | 19 (1996) |
| Hindrichs, Cheryl | Tryst | 19 (1996) |
| Hindrichs, Cheryl | Ballerina Fin’ | 20 (1997) |
| Hindrichs, Cheryl | Hotel Room | 20 (1997) |
| Hindrichs, Cheryl | Solstice | 20 (1997) |
| Hindrichs, Cheryl | Tributary | 20 (1997) |
| Hindrichs, Cheryl | Barren Spaces | 21 (1998) |
| Hitzel, John | Yaponcha | 29 (2006) |
| Hixson, Sean | 608 S. Fifth | 21 (1998) |
| Hoelzer, Jessica | Infamous Martian Canals | 28 (2005) |
| Hoeppner, Valerie | Images | 9:2 (1985) |
| Hoffman, Angela | Untitled | 29 (2006) |
| Hohenbary, Jim | Doubt | 15 (1992) |
| Hohenbary, Jim | Fragile | 15 (1992) |
| Hohenbary, Jim | The Courtship of Miss Quinn | 15 (1992) |
| Hohenbary, Jim | London | 16 (1993) |
| Hohenbary, Jim | Here, Look Upward | 16 (1993) |
| Holcomb, Melissa Blagg | 22: Happily Married and Pregnant | 18 (1995) |
| Holcomb, Melissa Blagg | Clotho, Lachesis, Atropos | 18 (1995) |
| Holcomb, Melissa Blagg | Excretory Pleasures | 18 (1995) |
| Holcomb, Melissa Blagg | [untitled poem] | 18 (1995) |
| Holloway, Sandra | Afternoon Papers | 5:2 (1981) |
| Holloway, Sandra | Anniversary | 5:2 (1981) |
| Holman, Victor | Malcolm and I on a Bench | 17 (1994) |
| Holmes, Kitty | Electric Sugar | 9:2 (1985) |
| Holmes, Kitty | Mother Maze | 9:2 (1985) |
| Holmes, Lisa | Fruity | 32 (2009) |
| Holmes, Lisa | Nostalgia | 32 (2009) |
| Holmes, Raymond | And it Verb from the Tree | 32 (2009) |
| Holmes, Raymond | Drunken Savior | 32 (2009) |
| Holterman, Sarah | Teeth | 24 (2001) |
| Holterman, Sarah | The Duck Hunter | 25 (2002) |
| Hones, Daryl | [untitled poem] (4) | 1:2 (1977) |
| Hones, Daryl | Mercedes Ladies | 2:1 (1977) |
| Hood, Eddy | By-gones Be By-gones | 2:2 (1978) |
| Hook, Benjamin | Celeste, my Love | 19 (1996) |
| Hook, Benjamin | Distance | 19 (1996) |
| Hook, Benjamin | Lightning Bug | 19 (1996) |
| Hook, Benjamin | Weeds | 19 (1996) |
| Hori, Chiharu | Zen in the Japanese Life | 3:2 (1979) |
| Hurlburt, Laura | Elusive Quetzal | 30 (2007) |
| Hutton, Rebecca | Required | 8:2 (1984) |
| Hwang, Johnny | Spotted Stairway | 16 (1993) |
| Hwang, Johnny | [untitled photo] | 16 (1993) |
| Hwang, Johnny | Before Darkness Falls | 18 (1995) |
| Hwang, Johnny | Catacomb Steps: Rome Italy 1994 | 18 (1995) |
| Hwang, Johnny | Weathered Soldiers | 18 (1995) |
| Hwang, Johnny | [untitled photo] (2) | 19 (1996) |
| Irwin, Greg, etal | Hazard to Ya Booty | 24:CD (2001) |
| Irwin, Jeremy, etal | Hazard to Ya Booty | 24:CD (2001) |
| Isenberg, Connie Leigh | Broken Beats | 1:2 (1977) |
| Isenberg, Connie Leigh | Grey Tones | 2:2 (1978) |
| Isenberg, Connie Leigh | Yellow Wind | 2:2 (1978) |
| Israel, Cynthia | Depourvu | 11:1 (1986) |
| Israel, Cynthia | Your Loving Daughter | 11:1 (1986) |
| James, Nancy | In San Francisco | 4:2 (1980) |
| James, Tracy | Untitled | 30 (2007) |
| Jansen, Sue | Day of Glory | 7:2 (1983) |
| Jarrett, Phil | Jumper | 31 (2008) |
| Jarrett, Phil | Keys | 31 (2008) |
| Jenkins, Ruby | The Arno and some rowers | 33 (2010) |
| Jenkins, Ruby | All Your Adjectives | 32 (2009) |
| Jenkins, Ruby | Croug Patrick | 32 (2009) |
| Jenkins, Ruby | Lonely Barn | 32 (2009) |
| Jenkins, Ruby | Ottawa Chevron | 32 (2009) |
| Jennings, Katie Beth | Dirt | 31 (2008) |
| Jennings, Katie Beth | Honor Guard | 31 (2008) |
| Jereb, Jim | Dusk | 15 (1992) |
| Jereb, Jim | Reconstruction | 15 (1992) |
| Johns, Beth | Paris | 17 (1994) |
| Johns, Beth | he loves me not, oh well | 18 (1995) |
| Johns, Beth | The Hinge | 18 (1995) |
| Johns, Beth | The Procedure | 18 (1995) |
| Johns, Beth | Tilt (or, as he would have it titled), Completing Upper Drop Targets, Lights, Jet Bumpers and Kick-Back for Bonus Multipliers | 18 (1995) |
| Johns, Beth | The Whole Truth | 18 (1995) |
| Johnson, Nick,etal | Hazard to Ya Booty | 24:CD (2001) |
| Johnson, Peter | For a Blue Barista of the Front Porch | 33 (2010) |
| Johnson, Peter | Bay Gull | 33 (2010) |
| Johnston, Pam | Chapter 4 | 10:1 (1985) |
| Johnston, Pam | House in the Woods | 10:1 (1985) |
| Jones, E C | London in Seventy-One | 6:2 (1981) |
| Jones, E C | Moon Girl | 6:2 (1981) |
| Jones, E C | The Only Survivors of Company D | 7:2 (1983) |
| Jones, E C | Envy | 9:1 (1984) |
| Jones, E C | The Shorter Cataclysm of Faith for 84 | 9:1 (1984) |
| Jones, Elisabeth F | Oak Tree Memories | 7:2 (1983) |
| Jones, Elisabeth F | Through My Window | 7:2 (1983) |
| Jones, Elisabeth F | Double-Standard | 8:1 (1983) |
| Jones, Elisabeth F | Garden of Eden | 8:1 (1983) |
| Jones, Elisabeth F | Home of the Mountain Men | 8:1 (1983) |
| Jones, Elisabeth F | Research Papers | 8:1 (1983) |
| Jones, Jackie | Golden Waves | 28 (2005) |
| Jones, Jackie | The Most Beautiful Sunset on Kauai | 28 (2005) |
| Jones, Jackie | In the Shadow of… | 29 (2006) |
| Jones, Jerry | Death | 30 (2007) |
| Jones, Jerry | Everything’s a Teddy Bear to Them | 30 (2007) |
| Jones, Kevin | Ghetto Bird | 18 (1995) |
| Jones, Kevin | The Hanging Tree | 18 (1995) |
| Jones, Kevin | Smiles Are Oft Denied | 18 (1995) |
| Jones, Kevin E | Happy Season | 17 (1994) |
| Jones, Kevin E | The Wonder of Maya | 17 (1994) |
| Jordan, Katey | Emotions Stolen from a Julia Roberts Movie | 31 (2008) |
| Kain, Donna J | Better Places | 19 (1996) |
| Kauffman, Cheryl | Haiku | 9:1 (Fall 1984) |
| Kehe, Joshua | Untitled | 32 (2009) |
| Keller, Carol | Blurparama | 2:1 (Fall 1977) |
| Kelly, Kyle | I’ve Been Dragging Around Dust-Covered Memories | 21 (1998) |
| Kelly, Kyle | Waiting in the Rain | 21 (1998) |
| Kelly, Kyle | A North Oklahoma Storm | 22 (1999) |
| Kelly, Maureen | Chance Encounter | 2:2 (1978) |
| Kelson, April | Letter to M.O. (after Elizabeth Bishop) | 28 (2005) |
| Kennedy, Meghan | Untitled #60 | 24 (2001) |
| Kennedy, Xander | Selma’s Play | 28 (2005) |
| Kenny, Katie | Like Lace All Over | 13:2 (1990) |
| Kerbawy, Teresa | Microcosm and the ants | 31 (2008) |
| Kerns, Holly | Daily Bread | 21 (1998) |
| Kerns, Holly | Lullaby in Blue | 21 (1998) |
| Kerns, Holly | Shelved Prison | 21 (1998) |
| Kerr, John | Composed in a Barren Area Facing an Asylum | 11:2 (1987) |
| Kespohl, Casey | Farm Secrets | 15 (1992) |
| Kespohl, Casey | Untitled | 15 (1992) |
| Kessler, Hayley | Kirksville, Still | 28 (2005) |
| Kick, Daniel | Lungs | 38 (2015) |
| Kiernan, Ed | Pain of Relief or “How do you spell Relief?” | 10:2 (1986) |
| Kiger, Nancy | The Lane | 2:2 (1978) |
| Kiger, Nancy | Laura | 2:2 (1978) |
| Kiger, Nancy | The Piano | 3:1 (1978) |
| Kiger, Nancy | Haunting Image | 4:2 (1980) |
| Kilgore, Nick | Free Reading | 38 (2015) |
| Kilgore, Nick | Krishna’s Yearbook | 38 (2015) |
| Kilgore, Nick | Under God | 38 (2015) |
| Kimbrell, Jordan | Letter From the Editor | 31 (2008) |
| Kimbrell, Jordan | Nementhe | 31 (2008) |
| King, Eric | In Heaven | 28 (2005) |
| King, Eric | The Natives | 28 (2005) |
| Klco, Megan | Megan Said | 30 (2007) |
| Klco, Megan | They Told Me to Write a Letter | 30 (2007) |
| Kleinsorge, Ashley | Strange | 33 (2010) |
| Kleypas, Jason “Assmonster” | Deadly Kitchenware | 24:CD (2001) |
| Kleypas, Jason “Assmonster” | DRO | 24:CD (2001) |
| Kleypas, Jason “Mojo Chick” | Evree Dae | 24:CD (2001) |
| Klier, Ron | Eagle Crossing | 18 (1995) |
| Klier, Ronald | The Innocence Thief | 17 (1994) |
| Knuppel, Steve | Labors of the Day | 11:2 (1987) |
| Knuppel, Steve | Lure of the Lake | 11:2 (1987) |
| Knuppel, Steve | Out of the Night | 11:2 (1987) |
| Koff, Chris | Eminence | 7:2 (1983) |
| Koff, Chris | My Little Voice | 7:2 (1983) |
| Kolocotronis, Linda | O Beautiful | 5:1 (1980) |
| Kolocotronis, Linda | Weekends | 5:1 (1980) |
| Kramer, Sheila | A Fallen Penny | 9:1 (1984) |
| Kramer, Sheila | Familiar Faces | 9:1 (1984) |
| Kramer, Sheila | 24-Jan | 10:2 (1986) |
| Kramer, Sheila | Uncle Harold’s Boxer Shorts | 10:2 (1986) |
| Kramer, Sheila | Beulah’s House (“the chicken house”) | 11:1 (1986) |
| Kramer, Sheila | happening | 11:1 (1986) |
| Kramer, Sheila | The Poppy Foundation | 11:1 (1986) |
| Kramer, Sheila | Section A- Row 6 | 11:1 (1986) |
| Kramer, Sheila | 428 Apt. 3 | 11:2 (1987) |
| Kramer, Sheila | Memorial Bridge | 11:2 (1987) |
| Kramer, Sheila | Winged Elm | 11:2 (1987) |
| Kremer, Nick | Nine-Line Concept in a Cynical Modern Era | 29 (2006) |
| Kreter, Shellie | Weight | 33 (2010) |
| Kriete, Cindy | Looking Skyward | 14 (1991) |
| Kriete, Cindy | Edge of an Oasis | 15 (1992) |
| Kriete, Cindy | Picture Window | 15 (1992) |
| Kriete, Cindy | Apartment Symphony | 16 (1993) |
| Kriete, Cindy | December, 1991 | 16 (1993) |
| Kriete, Cindy | Groundbreaking | 16 (1993) |
| Kriete, Cindy | Missouri Bridges | 16 (1993) |
| Kriete, Cindy | Raising the Bucket | 16 (1993) |
| Kriete, Cindy | The Voyages | 16 (1993) |
| Kronmiller, Danielle | My Coffee Went Cold and Now Everything is Wrong: A Picture of Life at 19 | 38 (2015) |
| Kronmiller, Danielle | Excuse Me | 38 (2015) |
| Kronmiller, Danielle | Self Portrait (as a Mountain) | 38 (2015) |
| Krumm, Dan | Rainy Day Woman #13 & 36 (everybody must get video stoned) | 11:2 (1987) |
| Krumm, Dan | Stalling | 11:2 (1987) |
| Krumm, Dan | Weight in Gold | 11:2 (1987) |
| Krutsinger, Julie | Alone | 6:2 (1981) |
| Kruvand, Rebekah | In Shade’s Prison | 27 (2004) |
| Kuehnle, Jimmy | Good Enough, Ma? | 24 (2001) |
| Kuehnle, Jimmy | Indulgence | 24 (2001) |
| Kugler, Cathy | Peak | 5:2 (1981) |
| Kugler, Cathy | The Will | 5:2 (1981) |
| Kuhnline, Dana | Cafe Terrace, Arles at Night | 26 (2003) |
| Kuhnline, Dana | Good Evening to Venus | 26 (2003) |
| Kuhnline, Dana | Mitosis | 26 (2003) |
| Kuhnline, Dana | Uncle Shane Sonnet | 26 (2003) |
| Lamb, Ezekiel | sifting through | 21 (1998) |
| Lamon, Nancy | Untitled | 22 (1999) |
| Land, Rosemary | The Lasting Oaks | 4:1 (1979) |
| Lansford, Jay | Bound #7 | 22 (1999) |
| Lansford, Jay | Music | 22 (1999) |
| Lansford, Jay | Wedding | 22 (1999) |
| Lansford, Jay | Second Rate Shoes | 24 (2001) |
| Lansford, Jay | Window | 24 (2001) |
| Laurent, John | Picasso Poetry | 11:1 (1986) |
| Laverentz, Eric | The Greatest of These | 15 (1992) |
| Lawinger, Jon | On the Edge | 29 (2006) |
| Lawinger, Jonathon | Akio’s Eyes | 29 (2006) |
| Lazalier, Valerie | In Pieces | 32 (2009) |
| Lazalier, Valerie | Macbeth | 32 (2009) |
| Lee, Alice | One Night Stand | 22 (1999) |
| Lee, Katibeth | Untitled | 33 (2010) |
| Lee, Rebecca | Terrors | 11:2 (1987) |
| Leffler, Konnie | Sublimation | 10:2 (1986) |
| Leffler, Konnie | To My Father, On New Year’s Day | 10:2 (1986) |
| Leland, Debbie | Last Dance | 9:2 (1985) |
| Limbaugh, Julie | The Bite | 29 (2006) |
| Lindsay, Joe | Supersurrealistic Poem #45 | 12:1 (1987) |
| Linehan, Karen | Darkness | 6:1 (1981) |
| Lischer, Jeanne | Shadows | 1:1 (1977) |
| Lischer, Jeanne | [untitled poem] | 1:1 (1977) |
| Little, Chris | Lone Wolf | 2:1 (1977) |
| Lobina, Susie Feese, trans | ‘How to Paint the Portrait of a Bird’ by Jacques Prevert | 3:2 (1979) |
| Long, Adriana Maria | Stephen | 37 (2014) |
| Long, Adriana Maria | Of New York | 37 (2014) |
| Long, Adriana Maria | Artist Talk | 37 (2014) |
| Long, Adriana Maria | Ciudadana | 37 (2014) |
| Long, Adriana Maria | The Ox of Moscow | 38 (2015) |
| Long, Adriana Maria | Luna | 38 (2015) |
| Long, Adriana Maria | Hotel Chelsea Confessional | 38 (2015) |
| Long, Adriana Maria | Traveler | 38 (2015) |
| Long, Shawn | Always Within Reach | 15 (1992) |
| Long, Shawn | another game to be played | 15 (1992) |
| Long, Shawn | Observation | 15 (1992) |
| Long, Shawn | The Pain of the Cactus Bearer | 15 (1992) |
| Long, Shawn | [untitled poem] (2) | 15 (1992) |
| Long, Shawn | agnostic | 16 (1993) |
| Low, David | I Fell Out of Love With a Muse | 22 (1999) |
| Lubahn, Kira | The Girl in My Closet | 37 (2014) |
| Lubahn, Kira | Snow | 37 (2014) |
| Lucas, Hannah | Coming into | 22 (1999) |
| Lucas, Leah | Glass Menagerie | 21 (1998) |
| Lucas, Leah | Requiem | 21 (1998) |
| Ludtke, Scott | Quiet People | 14 (1991) |
| Ludtke, Scott | [untitled poem] | 14 (1991) |
| Ludtke, Scott C | i still wish we wish we could have dinner together (yet unsure) | 16 (1993) |
| Ludtke, Scott C | what i really ate on lunch break | 16 (1993) |
| Luehrman, Zia | Untitled | 30 (2007) |
| Luehrman, Zia | August on the Inside | 31 (2008) |
| Luehrman, Zia | Leviathan Levitation | 31 (2008) |
| Luehrman, Zia | Cabin Fever | 32 (2009) |
| Luehrman, Zia | Car Ghosts | 32 (2009) |
| Lund, Candace | [untitled photo] | 16 (1993) |
| Lunnemann, Spencer | Too Fast | 22 (1999) |
| Lunnemann, Spencer | Pawns | 22 (1999) |
| Luong, Shirley | Mannito Baby | 28 (2005) |
| Lutt, Matthew | A Hole Full of Rainbow | 19 (1996) |
| Maciel, Andrea | Green | 13:1 (1989) |
| Maciel, Andrea | Memories of the Barrio: Kansas City | 13:1 (1989) |
| Maciel, Andrea | We | 13:1 (1989) |
| Maciel, Andrea | Moths | 13:2 (1990) |
| Maciel, Andrea | [untitled photo] (4) | 13:2 (1990) |
| Maciel, Andrea | Walk (for Marin Pope) | 13:2 (1990) |
| MacPherson, Doug | Dead Carnations (for Howard Nemerov) | 15 (1992) |
| MacPherson, Douglas | Blinding Shadow: Nien Cheng | 13:2 (1990) |
| MacPherson, Douglas | Tomato Summer | 16 (1993) |
| Macy, Elizabeth | Sonata No. 11 | 31 (2008) |
| Maddox, Rebecca | Mind-Typing 101 | 30 (2007) |
| Maeder, Peggy | Hours of Love | 10:1 (1985) |
| Maggard, Beth | Jack Kerouac | 28 (2005) |
| Maggard, Beth | Of course: the obviuos [sic] solution | 28 (2005) |
| Maldonado-Velez, Sebastian | Schoolyard Fantasies | 37 (2014) |
| Maldonado-Velez, Sebastian | Children’s Sad Dance with Death | 37 (2014) |
| Maldonado-Velez, Sebastian | Untitled | 38 (2015) |
| Maldonado-Velez, Sebastian | Guinness Metaphysics | 38 (2015) |
| Maldonado-Velez, Sebastian | Cursing at the Wind or To My Sister | 38 (2015) |
| Maldonado-Velez, Sebastian | Comet Choirs | 38 (2015) |
| Mallory, Joshua | The Fearsome Beast | 30 (2007) |
| Mallory, Joshua | Helpless | 30 (2007) |
| Manuel, Kirt | Current | 11:2 (1987) |
| Manuel, Kirt | Recession | 11:2 (1987) |
| Manuel, Kirt | Michelle | 12:1 (1987) |
| Manuel, Kirt | Weakness for Red | 12:1 (1987) |
| Manuel, Kirt | The Latest Attempt | 12:2 (1988) |
| Marrs, Sheri | Nature’s Selection | 10:2 (1986) |
| Marstall, John | The Chauvinist Sees His Territory | 19 (1996) |
| Martel, Mike | [untitled photo] | 24 (2001) |
| Martin, Ryan, etal | Down | 24:CD (2001) |
| Mashrek, M Zaglul | The Two Women | 8:1 (1983) |
| Mason, Dave, etal | Again | 24:CD (2001) |
| Mason, Dave, etal | Breaking Point | 24:CD (2001) |
| Mason, Kevin | Flood | 17 (1994) |
| Mason, Kevin | Panhandle Weather | 17 (1994) |
| May, Heather | February Steam | 13:1 (1989) |
| Mattson, Laurie Joe | Night | 33 (2010) |
| Mayer, Tom | Awake Before the Alarm | 3:1 (1978) |
| Mayer, Tom | Green Dust | 3:1 (1978) |
| McCarty, Linda J | Leaves | 3:1 (1978) |
| McClaskey, Michael | Confluence or, The Search For Ending | 8:2 (1984) |
| McClaskey, Mike | Lincoln’s Second Inaugural Address: A Commitment to Bind Up a Nation’s Wounds | 9:1 (1984) |
| McCleery, Molly | Click | 32 (2009) |
| McCleery, Molly | Red Lamping | 32 (2009) |
| McClurg, Kayla | [untitled poem] | 5:2 (1981) |
| McCollum, Tamara | A Journey Down Pendulum River | 16 (1993) |
| McCoy, John | The Bear in the Woodshed | 2:2 (1978) |
| McCue, Brian | Charon, Carry Me | 22 (1999) |
| McCully, Karen | Alone | 10:SpEd (1986) |
| McCully, Karen | Manifesto | 10:SpEd (1986) |
| McCully, Karen | No Beauty in Waking | 10:SpEd (1986) |
| McGuirk, Kim | A Frozen Moment | 31 (2008) |
| McHargue, Valerie | The Wind | 2:1 (1977) |
| McKenna, Scott | Paper Forests | 3:2 (1979) |
| McKinney, Anne | Untitled | 20 (1997) |
| McMichael, Joshua | [untitled photo] (3) | 17 (1994) |
| McMurry, Enfys | Royal Jack-the-Ripper | 1:1 (1977) |
| McMurry, Enfys | Whitehall Stairs | 1:1 (1977) |
| McMurry, Enfys | Aberfan | 1:2 (1977) |
| McNabb, Julia E | Breakfast | 10:1 (1985) |
| McQuaid, Sally | A Poem Left Too Long | 9:2 (1985) |
| McWilliams, Mary Clare | Made Me Loose My Shoes | 4:2 (1980) |
| McWilliams, Mary Clare | In Our Chairs | 5:2 (1981) |
| Medina, Sarah | My Sister’s Violin | 38 (2015) |
| Mehle, Susan | No Life! No Class! | 10:SpEd (1986) |
| Meintz, Shawn | The Ballad of Patrick Eagan | 26 (2003) |
| Merideth, Scott | [untitled sculpture] | 12:2 (1988) |
| Merkan, Dan | Metamorphosis (With Apologies to Kafka) | 14 (1991) |
| Merkan, Daniel E | Open Letter | 15 (1992) |
| Merkan, Daniel E | Stretch Marks | 15 (1992) |
| Merkan, Daniel E | Aphelian Distances | 16 (1993) |
| Merkan, Daniel E | The Poetry of Modern Men | 16 (1993) |
| Merkan, Daniel E | Tabled Games, A Tetrology | 16 (1993) |
| Merrell, Jeff | Cloud Blanket | 15 (1992) |
| Merrell, Jeff | Sassafrass and Hickory Bar-b-que, Sullivan, MO | 15 (1992) |
| Merrell, Jeff | Ominous | 16 (1993) |
| Merritt, Stephanie | PUBLIC ENEMY #1: Jack Passion | 23 (2000) |
| Meyer, James H, III | Enlightenment | 18 (1995) |
| Meyer, James H, III | Saturdays at the Pier | 18 (1995) |
| Meyer, James H, III | Three A.M. in Athens | 19 (1996) |
| Meyer, Neil | Arlington National Cemetery | 7:2 (1983) |
| Meysenburg, Eric | Sunrise on New Snow | 18 (1995) |
| Miller, Ann T | Daughters of Taliban | 22 (1999) |
| Miller, Ann T | Sarabande | 22 (1999) |
| Miller, Brady | Sleep | 23 (2000) |
| Miller, Brady | “Rain” | 24 (2001) |
| Miller, Gregory A | Oh…! | 8:1 (1983) |
| Miller, Gregory A | The Tragedy of Cindy | 8:1 (1983) |
| Million, Adam | DUSK | 24 (2001) |
| Million, Adam | Showers | 24 (2001) |
| Minor, Nick | [untitled unknown medium] | 24 (2001) |
| Missman, Shari | Where’s the Orchestra | 10:1 (1985) |
| Missman, Shari | You Rebel | 10:2 (1986) |
| Missman, Shari | World News Tonight at Nine | 10:2 (1986) |
| Missman, Shari | Tripping | 11:1 (1986) |
| Mitchell, Brad L | May 3, 1969 Routine Patrol | 8:2 (1984) |
| MLH | The Last Load of Corn | 10:1 (1985) |
| Moccia, Joe | Aquadome [*] | 26 (2003) |
| Moccia, Joe | Aquadream [*] | 26 (2003) |
| Moccia, Joe | Dynamic Figures [*] | 26 (2003) |
| Moccia, Joe | Encounter [*] | 26 (2003) |
| Moccia, Joe | Moneyrobot [*] | 26 (2003) |
| Moccia, Joe | No Room For Robots [*] | 26 (2003) |
| Moccia, Joe | transcend [*] | 26 (2003) |
| Moccia, Joe | Crunk [*] | 27 (2004) |
| Moccia, Joe | Donkey Business | 27 (2004) |
| Moccia, Joe | Energy Form [*] | 27 (2004) |
| Moccia, Joe | Forgive Me | 27 (2004) |
| Moccia, Joe | Know What You See… [*] | 28 (2005) |
| Moccia, Joe | Self Portrait Color [*] | 28 (2005) |
| Moll, Lauren | Eye of the Tiger | 37 (2014) |
| Molyneux, Darrin C | Borrowed Time | 10:2 (1986) |
| Molyneux, Darrin C | Castle Walls | 10:2 (1986) |
| Molyneux, Darrin C | Evening | 11:1 (1986) |
| Monnig, Shelly | His Picture | 11:1 (1986) |
| Monroe, Mike | Indentured Strangers | 10:2 (1986) |
| Moore, Chris | From Rooftops | 30 (2007) |
| Moore, Chris | Thre is No Truth But Birds | 30 (2007) |
| Moore, Christopher John | all the scarlet tanagers | 29 (2006) |
| Moore, Christopher John | Finding Your Spirit Animal | 31 (2008) |
| Moore, Christopher John | Interpretations of Flight | 31 (2008) |
| Moore, Christopher John | The Length of the Night | 31 (2008) |
| Moore, Rachel Elizabeth | Frankenstein | 27 (2004) |
| Moore, Rachel Elizabeth | The Desolation of La Gianconda | 29 (2006) |
| Moore, Rachel Elizabeth | High School Bicuspids | 29 (2006) |
| Moore, Rachel Elizabeth | The Last Great Heist of Bruisin’ Susan | 29 (2006) |
| Moore, Rachel Elizabeth | NCAA Basketball: a poem for a Brian that I knew for one date | 29 (2006) |
| Moore, Rachel Elizabeth | Sparkling Hatching | 29 (2006) |
| Moore, Terry | Ice Cream Dream | 1:2 (1977) |
| Morahan, Shirley | Letter to an Unpublished Writer | 1:1 (1977) |
| Morch, Derek | Security | 19 (1996) |
| Morgan, Bennie | Black | 2:2 (1978) |
| Morgan, Bryan | My Philosophy of Writing | 10:SpEd (1986) |
| Morgan, Bryan | Sidetracked | 10:SpEd (1986) |
| Morris, Brenda | The Season’s First Snowfall | 11:1 (1986) |
| Morris, R Paul | [untitled poem] (2) | 1:2 (1977) |
| Morris, Robin | #17 | 10:SpEd (1986) |
| Morris, Robin | Manifesto | 10:SpEd (1986) |
| Morris, Robin | Prima | 10:SpEd (1986) |
| Morrow, Melinda | The Intellectual | 17 (1994) |
| Morrow, Melinda | Stealing Green Persimmons | 17 (1994) |
| Morrow, Melinda | Velvet Dreams | 17 (1994) |
| Moseley, J Alexander | My Grandfather’s Wingtips | 18 (1995) |
| Mozingo, Dixie L | Dancing and Dreaming | 11:2 (1987) |
| Mozingo, Dixie L | Red Clover | 11:2 (1987) |
| Mueth, Cole | Efficient Living | 31 (2008) |
| Munday, Dixon | Homecoming | 9:1 (1984) |
| Munday, Dixon | The Visitor | 9:1 (1984) |
| Munday, Dixon | College Fun | 9:2 (1985) |
| Munday, Dixon | God’s Work | 9:2 (1985) |
| Murdock, Emily | Michelle, Your Legs Were… | 30 (2007) |
| Murillo, Sara | Zuleta | 37 (2014) |
| Murillo, Sara | Soledad | 37 (2014) |
| Murphy, Megan | Exposed Privacy | 24 (2001) |
| Murphy, Sharon | Guinness | 11:2 (1987) |
| Mussgrave, Vicky | Median | 16 (1993) |
| Myers, Michael | My Lost Youth: December 9, 1976 | 1:2 (1977) |
| Nakamura, Mitsuru | Old Man’s Little Dream | 17 (1994) |
| Nakamura, Mitsuru | Short-Necked Clam | 18 (1995) |
| Nakamura, Mitsuru | [untitled photo] (3) | 19 (1996) |
| Nakamura, Mitsuru | [untitled photo] (4) | 20 (1997) |
| Nash, Stephanie | Beauty | 27 (2004) |
| Nash, Stephanie | Mirror | 27 (2004) |
| Nash, Stephanie | Soulmate | 27 (2004) |
| Nash, Stephanie | “this is not a goth poem” | 28 (2005) |
| Nasser, Mary | Archaic Smile | 17 (1994) |
| Nasser, Mary | Dead Cat #2 | 17 (1994) |
| Nasser, Mary | Inclosure | 17 (1994) |
| Nasser, Mary C | Little Girl | 14 (1991) |
| Nay, Chester | Ullysium | 30 (2007) |
| Nay, Chester | Crabmeat | 31 (2008) |
| Nay, Chester | High Noon | 31 (2008) |
| Nay, Chester | Undertoad | 31 (2008) |
| Neal, Robin | Calling the Mother Ship | 19 (1996) |
| Neale, Mike | In the Arms of the Night | 10:2 (1986) |
| Neff, Julie | Past Tense | 9:1 (1984) |
| Neff, Julie | Robot | 9:1 (1984) |
| Neff, Julie | Grandpa Baker | 10:1 (1985) |
| Neff, Julie M | Finding Out | 9:2 (1985) |
| Neff, Julie M | Magic Motion | 9:2 (1985) |
| Neff, Julie M | Memory | 9:2 (1985) |
| Neff, Julie M | Sale | 9:2 (1985) |
| Neiner, Rita | Date By Appointment | 10:1 (1985) |
| Neitzke, Jeremy M | The Wintering | 16 (1993) |
| Nelson, Kevin | The Clown | 5:2 (1981) |
| Newman, Erin | Baubles of Brilliance | 32 (2009) |
| Nguyen, John | Breaking the Code | 23 (2000) |
| Nguyen, John | The Final Moments | 23 (2000) |
| Nguyen, John | Retention | 23 (2000) |
| Nims, Jack | Run Through | 8:2 (1984) |
| Nix, Lori | [untitled photo] (3) | 13:2 (1990) |
| Nolan, Erica | Irish Folly | 38 (2015) |
| Nolan, Erica | The First Snow | 38 (2015) |
| North, Leslie | At The Colony | 4:1 (1979) |
| North, Leslie | On Golgotha | 4:2 (1980) |
| North, Leslie | Paper | 4:2 (1980) |
| Nunn, Bernadette | Bri | 30 (2007) |
| O’Brien, Sean | Eclipse | 24 (2001) |
| O’Brien, Sean | Dark City | 24:CD (2001) |
| O’Brien, Sean | Marc vs. Halloween | 25 (2002) |
| O’Brien, Sean | Untitled | 25 (2002) |
| O’Connell, Maureen | Winter Running | 2:2 (1978) |
| O’Connor, Emily | Use Me | 38 (2015) |
| Oder, Elizabeth | [untitled poem] | 18 (1995) |
| Odgers, Chad | Who Says You’re Healthy? | 19 (1996) |
| O’Donnell, Veronica | My Thoughts are Not My Own | 6:1 (1981) |
| Oesch, Kyle | The Phoenix Flame | 31 (2008) |
| O’Keefe, Lauren | The Intoxication I Live For | 33 (2010) |
| Oliver, Mary | Path | 37 (2014) |
| Olsen, Karen | Awakening | 4:2 (1980) |
| Olsen, Karen | The Piano Driver | 4:2 (1980) |
| O’Mara, Catherine | Cliffs of Moher | 38 (2015) |
| O’Mara, Catherine | Is that the Sun? | 38 (2015) |
| O’Shea, Ryan | The Fisherman | 23 (2000) |
| Ostrander, Linda | #13 | 11:2 (1987) |
| Ostrander, Linda | A Day in the Life of … | 11:2 (1987) |
| Ostrander, Linda | Holy Grail | 11:2 (1987) |
| Ostrander, Linda | Park | 11:2 (1987) |
| Ostrander, Linda | hit the sidewalk | 12:1 (1987) |
| Ostrander, Linda | Round Glasses | 12:1 (1987) |
| Ostrander, Linda | [untitled poem] | 12:1 (1987) |
| O’Sullivan, Briana | Lie In It | 28 (2005) |
| O’Sullivan, Briana | stilettos | 28 (2005) |
| Otto, Chris | Two Nudes | 15 (1992) |
| Overmann, Robert | Senseless Violence | 37 (2014) |
| Overmann, Robert | l’Esprit de l’Escalier | 37 (2014) |
| Palmatory, Melissa | Our Two Sides | 5:2 (1981) |
| Parker, Bradley | Today Did Not Start So Well | 5:2 (1981) |
| Parker, Ron | In the Briefest Moments | 5:2 (1981) |
| Parrott, Jan | The Salzar House | 6:2 (1981) |
| Pasley, Jesse | Cracks in the Earth | 24 (2001) |
| Passe, Melissa S | Finally Home | 11:2 (1987) |
| Passe, Melissa S | [untitled poem] | 11:2 (1987) |
| Paul, Jacqueline | Dodgeball, 4th Period | 21 (1998) |
| Paul, Jacqueline | Untitled | 21 (1998) |
| Paulding, Britta | Wilmam and the Belgium Hat Pin | 10:1 (1985) |
| Paulding, James E | Cylinder | 1:1 (1977) |
| Peckosh, Morgan, etal | Bury Your Dead | 24:CD (2001) |
| Peckosh, Morgan, etal | When Your Courage Runs Dry | 24:CD (2001) |
| Pederson, Carol | The End | 32 (2009) |
| Pederson, Carol | Storm Season | 32 (2009) |
| Peeler, Sue | Dismal Swamp | 8:2 (1984) |
| Perkins, Kasey | The Elderly | 32 (2009) |
| Perkins, Kasey | Headline from June 18, 2008 | 32 (2009) |
| Perkins, Kasey | The Search for the Perfect | 32 (2009) |
| Perkins, Kasey | What He Did with It | 32 (2009) |
| Perry, David | War Poem #3 | 14 (1991) |
| Perry, David | Ferris Wheel | 15 (1992) |
| Perry, David | my life as a drug dealer | 15 (1992) |
| Perry, David | snuff film | 16 (1993) |
| Perry, Margaret | Margaret Perry’s Philosophy on Life | 8:1 (1983) |
| Perry, Margaret | Untitled Poem #643 | 8:1 (1983) |
| Perry, Margaret | For an Arabian Stallion | 8:2 (1984) |
| Perry, Margaret | It Won’t Really Happen | 8:2 (1984) |
| Peters, Betsy | Hay Hauling | 2:1 (1977) |
| Peters, Nicholas | Country Storm | 15 (1992) |
| Peters, Nicholas | Ivy League Door | 15 (1992) |
| Peters, Nicholas | Framing a Shambles | 15 (1992) |
| Peters, Nicholas | Industrial Ghost | 15 (1992) |
| Peters, Nicholas | Petroglyphs | 15 (1992) |
| Peters, Nicholas | Perspectives | 16 (1993) |
| Peters, Nicholas | Tree 2 | 16 (1993) |
| Peters, Nicholas | [untitled photo] (2) | 16 (1993) |
| Pezza, Mattea | The Aged Do Dance | 38 (2015) |
| Phadke, Leena | Before and After | 24 (2001) |
| Phadke, Leena | night, from the apartment above sweeny’s bookstore downtown | 24 (2001) |
| Phillips, Camille | The Pointe of it All | 28 (2005) |
| Phillips, Cassandra | Transition in Mountain’s Spring | 31 (2008) |
| Phillips, Cassie | Just Blue | 30 (2007) |
| Phillips, Nicholas | The Common Enemy | 25 (2002) |
| Phillips, Nicholas | Once In | 25 (2002) |
| Pickens, Sharon | Moonshot | 10:1 (1985) |
| Pittman, Dayna | Bailing Hay | 6:2 (1981) |
| Pittman, Dayna | Bailing Hay [reprint] | 8:2 (1984) |
| Pittman, Dayna | Barn in Lilac-Time | 8:2 (1984) |
| Pittman, Dayna | Serendipity | 8:2 (1984) |
| Pittman, Quentin | RAB | 13:2 (1990) |
| Plett, Andrew, etal | Old Man | 24:CD (2001) |
| Plurad, Alex | Prayer | 32 (2009) |
| Plurad, Alex | Unanswered Summons | 32 (2009) |
| “Poached Trout” | Participle | 14 (1991) |
| Poettgen, Sheila | Untitled | 14 (1991) |
| Pollack, Sarah | Waiting For the Fall | 33 (2010) |
| Pollard, Amber | Rain | 21 (1998) |
| Pope, Martin | Vox | 17 (1994) |
| Potts, David | Loup-Garou | 11:1 (1986) |
| Powell, Sandi | Swing | 20 (1997) |
| Powers, Marcelina | Leap Year | 31 (2008) |
| Powers, Marcelina | Wannabe Sailor | 31 (2008) |
| Prescott, Mary | My Timid Attempts at Religious Rebellion Through Legwear | 19 (1996) |
| Prescott, Mary | This Dialogue Only Has Room for Two: the Selection Process | 20 (1997) |
| Priebe, Roby J | Curves | 11:2 (1987) |
| Priebe, Roby J | Lake | 11:2 (1987) |
| Proffitt, Wendy | Night time | 9:1 (1984) |
| Pruner, Brenda | The Call | 2:1 (1977) |
| Pruner, Brenda | Performance: Two Haiku for a Tree | 2:2 (1978) |
| Pruner, Brenda | Mute | 3:1 (1978) |
| Pruner, Brenda | To the Fly | 3:2 (1979) |
| Pruner, Brenda | Pilgrim/Poet | 4:1 (1979) |
| Pruner, Brenda | Advice to a Young Writer | 4:2 (1980) |
| Pruner, Brenda | Fatal | 4:2 (1980) |
| Pruner, Brenda | A Sketch: Sniper | 4:2 (1980) |
| Pruner, Brenda | Tanka: Captive | 4:2 (1980) |
| Pruner, Brenda | Hiatus | 5:1 (1980) |
| Pulley, Emily | Hob | 38 (2015) |
| Pulley, Emily | Africa | 38 (2015) |
| Quigley, Barbara | the madman | 1:1 (1977) |
| Quigley, Barbara | The – rapists | 2:2 (1978) |
| Quinne, Garrison Elliot | Love On a Bar Graph | 13:1 (1989) |
| Rachele, Paul | The Romantic | 30 (2007) |
| Racher, Ruth | Baby Overboard | 24 (2001) |
| Racher, Ruth | Want of Anger | 24 (2001) |
| Racher, Ruth | belly button | 25 (2002) |
| Racher, Ruth | how I see me | 25 (2002) |
| Racher, Ruth | [untitled photo] | 25 (2002) |
| Rackley, Liz | Awaiting Recognition | 25 (2002) |
| Rackley, Liz | untitled | 25 (2002) |
| Radix, Lauren | Embrace | 37 (2014) |
| Radix, Lauren | Quartet | 37 (2014) |
| Radix, Lauren | Tea Couple | 37 (2014) |
| Rainey, Nicole | From Beneath the Chimneys of Lido, to the corners of your dreams, she says: think of what you do to women when you love pathetic men | 26 (2003) |
| Ramsey, Shari | No Tragedienne | 6:1 (1981) |
| Ramsey, Shari | A Sound | 6:1 (1981) |
| Ramsey, Shari | Picasso | 7:2 (1983) |
| Ramsey, Shari | At the Dentist’s Office | 8:1 (1983) |
| Ramsey, Shari | Cyclamen in Death | 8:1 (1983) |
| Ramsey, Shari | Fishbowl | 8:1 (1983) |
| Ramsey, Shari | Hosea to His Wife | 8:1 (1983) |
| Ramsey, Shari | Autumn Rain | 8:2 (1984) |
| Randall, Paula | Haiku | 9:1 (1984) |
| Randall, Paula | Mischief | 9:1 (1984) |
| Ratcliff, Robyn | T.V. | 16 (1993) |
| Ratliff, Jacob | Radiance | 30 (2007) |
| Ratliff, Jacob | Red Barn | 30 (2007) |
| Ready, Leslea | Lullaby | 24 (2001) |
| Redmon, Elizabeth | The House – descriptive | 27 (2004) |
| Redmon, Elizabeth | Oh, William Carlos Williams, To Say That I Danse [sic] With Icarus in the Landscape of the Wheelbarrow | 27 (2004) |
| Redmon, Elizabeth | untitled | 27 (2004) |
| Reed, Katharyn | British Museum Shadows | 31 (2008) |
| Reed, Katharyn | Hyde Park Couple | 31 (2008) |
| Reed, Katharyn | Palazzo Vacchio Bird | 31 (2008) |
| Reed, Stephanie | 2-Apr-05 | 29 (2006) |
| Reed, Stephanie | Love Poem | 29 (2006) |
| Reed, Stephanie | Thoughts on a Photograph of Nietzsche | 29 (2006) |
| Reed, Thomas S | Your Mother Tongue | 3:1 (1978) |
| Regan, Mary | The Engagement | 2:2 (1978) |
| Reichert, Michelle | Morning | 13:1 (1989) |
| Reichert, Michelle | ‘Til Death Do Us Part | 13:1 (1989) |
| Reilly, John M | [untitled poem] | 1:2 (1977) |
| Reitz, Rebecca | Veiled | 37 (2014) |
| Reitz, Rebecca | An Interpretation of Number 3 | 37 (2014) |
| Reitz, Rebecca | Illustrate ‘Till You Die | 37 (2014) |
| Reshemwala, Zeeshan | A Quill and a Book | 33 (2010) |
| Reshemwala, Zeeshan | Tamerlane | 33 (2010) |
| Reynolds, Amy | Welcome to Fabulous | 33 (2010) |
| Reynolds, Amy | Looking DownIn-Betweens | 33 (2010) |
| Reynolds, Amy | Ode to Ocean Waves | 32 (2009) |
| Reynolds, Amy E | Penny Sapphires | 31 (2008) |
| Reynolds, Jim | The Hunt | 10:2 (1986) |
| Reynolds, Jim | Impact | 10:2 (1986) |
| Ricci, Brent | Decay | 20 (1997) |
| Ricci, Brent | Thank You for Submitting | 20 (1997) |
| Richards, Jodi | The Providers | 6:1 (1981) |
| Richardson, Hanna | Gilligan the Toad | 38 (2015) |
| Richardson, Hanna | Snow in Chicago | 38 (2015) |
| Ridgeway, Robert | Caf Dmod | 21 (1998) |
| Ridgeway, Robert | pino kai pino | 21 (1998) |
| Robacaewski, Dan | Spring in Focus | 33 (2010) |
| Robacaewski, Dan | At Disconnect | 32 (2009) |
| Robacaewski, Dan | Bullshit | 32 (2009) |
| Robacaewski, Dan | Chicago | 32 (2009) |
| Robbins, Tony | Graduation Day | 9:1 (1984) |
| Robbins, Tony | Graduation Day Part II | 9:2 (1985) |
| Roberds, Carrie | Joshua’s Rings | 18 (1995) |
| Roberson, Aimee | how to exist | 24 (2001) |
| Robinson, Brian | Supersurrealistic Poem #196 | 12:2 (1988) |
| Rodenburger, Bucho | As For Madness, I Accept | 23 (2000) |
| Rogers, Bryan | Gurgle | 26 (2003) |
| Rogers, Kim | Willow Creek | 8:2 (1984) |
| Rogers, Kim | Sundays at Grandpa and Grandma’s House | 9:1 (1984) |
| Rogers, Theresa | Monday Night Football | 13:2 (1990) |
| Rohricks, Jeff | Save the Whales | 18 (1995) |
| Rolands, Tim | The Air of Writing | 10:SpEd (1986) |
| Rolands, Tim | A Thief Too Many | 10:SpEd (1986) |
| Rolands, Tim | Too Much to Ask | 10:SpEd (1986) |
| Rolands, Tim | Destination | 13:2 (1990) |
| Rolands, Tim | After All | 14 (1991) |
| Rolands, Tim | Desert Stranger | 14 (1991) |
| Rolands, Tim | Encroachment | 14 (1991) |
| Rolands, Tim | Rivering | 15 (1992) |
| Roper, E B | Kissing Martin Newcastle | 29 (2006) |
| Roper, Erin | Staring | 28 (2005) |
| Rosell, Josiah | Tear | 37 (2014) |
| Rosell, Josiah | You Burn | 37 (2014) |
| Ross, Douglass | H?Omecoming | 14 (1991) |
| Ross, Kim | Rachel’s Dead | 10:SpEd (1986) |
| Ross, Kim | Trees to Witches | 10:SpEd (1986) |
| Ross, Kim | [untitled essay] | 10:SpEd (1986) |
| Roth, Tim, etal | Again | 24:CD (2001) |
| Roth, Tim, etal | Breaking Point | 24:CD (2001) |
| Rothbaum, Bari | [untitled photo] (2) | 13:2 (1990) |
| Rowlands, Michael | [untitled photo] (5) | 12:1 (1987) |
| Rudie, Chantae | Flowers Up Close | 32 (2009) |
| Rueth, Dan | Night Life | 24:CD (2001) |
| Runcie, Miranda | Barcellona | 29 (2006) |
| Runcie, Miranda | Barcellona Cross | 29 (2006) |
| Runcie, Miranda | Father to Daughter | 29 (2006) |
| Runcie, Miranda | Flamenco Dancer | 29 (2006) |
| Runcie, Miranda | Hallway | 29 (2006) |
| Runcie, Miranda | Museum | 29 (2006) |
| Russom, Erin | Four Short Pieces for Two Clarinets | 26 (2003) |
| Sack, Tamara | How I Learned the Letter “B” | 30 (2007) |
| Sack, Tamara | Vaginas For Hire | 31 (2008) |
| Sadler, Andrea | Chicago | 32 (2009) |
| Sadler, Andrea | Water Tower | 32 (2009) |
| Sallen, J D | An Alarm Clock | 31 (2008) |
| Salley, Elizabeth | Bahini | 38 (2015) |
| Saunder, Michael | The Arrowhead Caf | 17 (1994) |
| Saunder, Michael | Shadow Boxing | 17 (1994) |
| Schaeffer, Fred | Changes | 1:1 (1977) |
| Schaeffer, Hope | Hanabi | 33 (2010) |
| Schaeffer, Hope | Endymion and Selene | 33 (2010) |
| Schaeffer, Hope | Almost | 33 (2010) |
| Schaeffer, Hope | Untitled | 33 (2010) |
| Schafer, Amy | He Will Hope to Know Again | 12:2 (1988) |
| Schafer, Amy | [untitled photo] (2) | 13:1 (1989) |
| Schafer, Amy | Held For One Moment | 13:2 (1990) |
| Schafer, Amy | Untitled | 13:2 (1990) |
| Schalk, Elizabeth | Kirksville, On a Rainy Night, An Anti-Marriage Poem | 18 (1995) |
| Schalk, Elizabeth | Poem Inspired by Einstein and a Midnight Swing | 18 (1995) |
| Schlee, Timothy | The Church | 33 (2010) |
| Schlee, Timothy | Almaty | 33 (2010) |
| Schlemper, Amy | The Realization | 15 (1992) |
| Schlueter, Kirk | Full Fathom Five | 37 (2014) |
| Schlueter, Kirk | City of Bridges | 37 (2014) |
| Schlueter, Kirk | Is This | 37 (2014) |
| Schlueter, Kirk | The Road to Hannibal | 37 (2014) |
| Schlueter, Renee | Dream Castles | 10:1 (1985) |
| Schlueter, Renee | Wistful Wishing | 10:1 (1985) |
| Schmidt, Mary Jo | Nana | 9:2 (1985) |
| Schmidt, Mary Jo | 11:39 a.m. EST | 10:2 (1986) |
| Schmidt, Mary Jo | In Touch | 10:2 (1986) |
| Schmidt, Mary Jo | The Lesson | 10:2 (1986) |
| Schmidt, Mary Jo C | Dinner to Go | 11:1 (1986) |
| Schmidt, Mary Jo C | Family Reunion | 11:1 (1986) |
| Schmidt, Mary Jo C | Mite Snare | 11:1 (1986) |
| Schmidt, Mary Jo C | L. Tinklepaugh | 11:1 (1986) |
| Schmierbach, Marlene | Sand | 9:2 (1985) |
| Schmierbach, Marlene | The Unicorn | 9:2 (1985) |
| Schnell, Jennifer | The Bus Ride Home | 14 (1991) |
| Schnieder, Grace | Folk Singer | 31 (2008) |
| Schnieder, Grace | Object | 31 (2008) |
| Schnieder, Grace | Winter Poem | 31 (2008) |
| Schoch, Jason | [untitled intaglio print] | 16 (1993) |
| Schoenig, Koleta | Blind | 10:2 (1986) |
| Schoenig, Koleta | What Makes It | 10:2 (1986) |
| Schroeder, Kathy | After the Rain, Summer Rain | 15 (1992) |
| Schroeder, Kathy | February Sunset, Soft in the Sky | 15 (1992) |
| Schroeder, Kathy | Music, Close Your Eyes, Can You Feel It? | 15 (1992) |
| Schroeder, Kathy | [untitled poem] | 15 (1992) |
| Schroeder, Kathy | To Lay Down Like Child in the Arms of the Midwest Night | 18 (1995) |
| Schroeder, Nixi | Portrait of a Missouri Woman | 38 (2015) |
| Schroeder, Nixi | The After-Me Woman | 38 (2015) |
| Schroeder, Nixi | September | 38 (2015) |
| Schuttlefield, Michael | Yellow Brick Roads | 1:1 (1977) |
| Schwendermann, Mary | The Miscarriage | 1:2 (1977) |
| Scott, Chris | Artesia Antiseptic | 26 (2003) |
| Scott, Chris | gods, los angeles | 26 (2003) |
| Scott, Chris | migration of angels | 26 (2003) |
| Scott, Chris | new amsterdam freefall | 26 (2003) |
| Scott, Chris | Political Analyst | 28 (2005) |
| Scott-Hainchek, Sadye | Part 1: SECRETS 1: Poker Face | 28 (2005) |
| Scott-Hainchek, Sadye | Tonight | 28 (2005) |
| Scott-Hainchek, Sadye | untitled | 28 (2005) |
| Seals, Annabeth | Dressed for Success | 17 (1994) |
| Selbert, Karen | Manifesto | 10:SpEd (1986) |
| Selbert, Karen | Night Sinks Down | 10:SpEd (1986) |
| Sem, Dan | [untitled photo] (3) | 25 (2002) |
| Sem, Dan | Tibetan Monks, Tahiluupo Monastery, Shigatse, Tibet, China [*] | 26 (2003) |
| Sem, Dan | Boy in Tashi Lumpo Monastery, Tibet PRC ’02 [*] | 27 (2004) |
| Sem, Dan | Nomad Woman Boiling Yak Butter Tea, Tibet, PRC ’02 [*] | 27 (2004) |
| Sem, Dan | Pilgrims Around the Jorkhong Temple, Tibet, PRC ’02 [*] | 27 (2004) |
| Sem, Dan | This is Not a Painting, Beijing PRC ’02 [*] | 27 (2004) |
| Settlage, John Jr | Summer Oasis | 3:1 (1978) |
| Shafer, Amy | Sleeping on Sunday | 12:2 (1988) |
| Shafer, Amy | Without Words, Without Thought, Without Fear | 12:2 (1988) |
| Sheeks, Diane E | Messages | 10:2 (1986) |
| Sheets, Elizabeth | Benefits of Bicycling | 6:2 (1981) |
| Sheets, Elizabeth | Dreams | 6:2 (1981) |
| Shigeki, Isobe | Harakiri | 12:1 (1987) |
| Shoemaker, Rebecca | Scavengers | 24 (2001) |
| Shoults, Rhiannon | The Diving Board | 26 (2003) |
| Shoults, Rhiannon | Donuts and Determination | 26 (2003) |
| Shoults, Rhiannon | I Want To | 26 (2003) |
| Shoults, Rhiannon | Naptime Villanelle | 26 (2003) |
| Shoults, Rhiannon | Numb | 26 (2003) |
| Shoush, Cindy | Ocean | 3:2 (1979) |
| Shoush, Cindy | Rocking Chair | 3:2 (1979) |
| Simmons, Shannin | I Swear I Thought They Were Sticks | 15 (1992) |
| Simone, Mike | Poem Three: Jamestown | 10:SpEd (1986) |
| Simone, Mike | The Vietnam Syndrome | 10:SpEd (1986) |
| Simone, Mike | Views on Writing | 10:SpEd (1986) |
| Sims, Emily | Ancient Women | 26 (2003) |
| Sims, Emily | Moon Painters | 28 (2005) |
| Sims, Emily | The Wounded | 28 (2005) |
| Skoglund, Mike | Mt. St. George, British Columbia | 11:2 (1987) |
| Skoglund, Mike | [untitled poem] | 11:2 (1987) |
| Sladek, Meredith | Broadband wasteland | 27 (2004) |
| Slattery, Kim | Says Whom? | 30 (2007) |
| Slattery, Kim | Poems Come Packaged as Travel-Size Toiletries | 32 (2009) |
| Small, Ginger L | Opportunities | 10:1 (1985) |
| Smallwood, John | [untitled photo] | 12:1 (1987) |
| Smith, Andrew | A Morning’s Conversation | 8:2 (1984) |
| Smith, David B | Untitled | 11:1 (1986) |
| Smith, David B | [untitled photos] (3) | 11:1 (1986) |
| Smith, Martha | Footprints | 9:1 (1984) |
| Smith, Martha | Where Have You Gone? | 9:1 (1984) |
| Smith, Terry B | Calais Lamp | 1:2 (1977) |
| Snodderly, Mike | Bubbles | 30 (2007) |
| Snodderly, Mike | Lenses | 30 (2007) |
| Snodderly, Mike | Praying Hands | 30 (2007) |
| Snodderly, Mike | Superior Pier | 30 (2007) |
| Sommer, Ginny | [untitled poem] | 2:1 (1977) |
| Sommers, Elise | Dew Drop | 29 (2006) |
| Sondag, Chris | To Bausch and Lomb | 6:2 (1981) |
| Sondag, Chris | Winter Refuge | 6:2 (1981) |
| Sours, Jayne | Struggling with Time | 11:1 (1986) |
| Speak, W D | Broken | 10:2 (1986) |
| Spees, Rebecca | A Cinquain | 6:1 (1981) |
| Stagner, Allison | I wrecked the ship myself in an arid month | 33 (2010) |
| Stahl, Edward | Boredom | 9:2 (1985) |
| Stahl, Edward | Horizon | 9:2 (1985) |
| Stahl, Edward | The Day We Sat in Shorts on Last Winter’s Snow | 10:1 (1985) |
| Stahl, Edward | In a French Girl’s Eyes | 10:1 (1985) |
| Stahl, Edward | Metaphor Love | 10:1 (1985) |
| Stahl, Edward | Roll Bales | 10:1 (1985) |
| Stahl, Edward | Sidewinder | 10:1 (1985) |
| Stahl, Edward | Mike’s Home | 10:2 (1986) |
| Stahl, Edward | Waking the Moon | 10:2 (1986) |
| Stahl, Edward | After the Party | 11:1 (1986) |
| Stahl, Edward | The Law of Supply and Demand | 11:1 (1986) |
| Stahl, Edward | Ceremony | 12:2 (1988) |
| Stahl, Edward | The Easter-Egg Hunt | 12:2 (1988) |
| Stahl, Edward | Red Hot Knowledge | 12:2 (1988) |
| Stahl, Edward | Savage | 12:2 (1988) |
| Stahl, Edward | Simple | 12:2 (1988) |
| Standley, Jeanette | The Auction | 22 (1999) |
| Standley, Jeanette | Because | 23 (2000) |
| Standley, Jeanette | Rock Sounds | 23 (2000) |
| Stanton, Marlene | Almost Seeing | 4:2 (1980) |
| Starner, Jody | Conversation Peace | 12:1 (1987) |
| Steele, Dan E | Rat | 14 (1991) |
| Stefanski, Casey | Hiding | 33 (2010) |
| Steffes, Bob | Tension | 3:1 (1978) |
| Stein, George Benjamin | [untitled poem] | 15 (1992) |
| Stevinson, Cindy | Laclede’s Landing | 10:1 (1985) |
| Stevinson, Cindy | Falling Water | 10:2 (1986) |
| Stevinson, Cindy | Haikus | 11:1 (1986) |
| Stevinson, Cynthia | Dinner for Two? | 8:2 (1984) |
| Stevinson, Cynthia | Haiku | 9:1 (1984) |
| Stevinson, Cynthia | 9:2 (1985) | |
| Stewart, Ben, etal | Hazard to Ya Booty | 24 (2001) CD |
| Stice, Gayla | Three Year Old Cowboy | 13:2 (1990) |
| Stobbe, Emily | Saturday Night, 11:17 | 38 (2015) |
| Stoddard, Ashlee | Entomophobia | 30 (2007) |
| Storm, Chad | Dove in the Meadow | 10:SpEd (1986) |
| Storm, Chad | Philosophy | 10:SpEd (1986) |
| Stoutner, Richard J | Crazy Moon | 15 (1992) |
| Stoutner, Richard J | Flirting with Anxious Gears | 15 (1992) |
| Stroud, Latrice, etal | Never Be | 24 (2001) CD |
| Sublette, Jason | Meltdown | 14 (1991) |
| Sullivan, Keilah | Wordplay | 37 (2014) |
| Sullivan, Keilah | Farce | 37 (2014) |
| Summers, J D | Station Intrepid: Reception 031612-MS27 | 14 (1991) |
| Summers, J D | Unheeded | 14 (1991) |
| Sutherland, Beckie | Midwest Ocean | 9:1 (1984) |
| Sutherland, Connie | Aubade | 10:2 (1986) |
| Sutherland, Jo | An Ear for Music | 1:2 (1977) |
| Sutherland, Jo | May Day | 1:2 (1977) |
| Sutherland, Jo | School Themes: Hand Out for Jack / Journal | 2:2 (1978) |
| Sutherland, Jo | Rose Song | 3:1 (1978) |
| Sutherland, Jo | The Middle-Ages | 5:1 (1980) |
| Sutherland, Jo | The Knitters and Ravellers | 5:2 (1981) |
| Sutherland, Rebecca | Along a Common Highway | 8:2 (1984) |
| Sutherland, Rebecca | He Liked | 8:2 (1984) |
| Sutherland, Rebecca | Roses in November | 8:2 (1984) |
| Sutherland, Rebecca | Skies of Amethyst | 8:2 (1984) |
| Sutherland, Rebecca | The Sunday After | 8:2 (1984) |
| Sutherland, Rebecca | Fidelity and Illusions | 9:2 (1985) |
| Sutton, Gwen | Hugo’s Place | 2:1 (1977) |
| Sutton, Kathryn | El Diablo | 37 (2014) |
| Sutton, Kathryn | Laika the Space Dog | 38 (2015) |
| Swan, Deanna | Seam Stress | 5:2 (1981) |
| Swigelson, Kayce | It Was As Though He… | 30 (2007) |
| Swinderman, Carol | Transformations | 13:1 (1989) |
| Tabary, Audrey | “Illusion” | 24 (2001) |
| Takao, Naoki | A Maple Tree | 10:2 (1986) |
| Talley, Nathan | Bruegges | 19 (1996) |
| Tammeus, Lisen J | “The Truth is a Ghost at Midnight” | 10:SpEd (1986) |
| Tammeus, Lisen J | “Writing Drama” | 10:SpEd (1986) |
| Tammeus, Lisen J | “Writing Poems” | 10:SpEd (1986) |
| Tammeus, Lisen J | “Yellow Star” | 10:SpEd (1986) |
| Tarpening, Christy | Monkeys | 6:1 (1981) |
| Tautz, William | Letter | 11:1 (1986) |
| Tautz, William | Lying Snug in Bed | 11:1 (1986) |
| Tautz, William | A Shade of Gray | 11:1 (1986) |
| Tautz, William | Outside a Poet’s Window | 12:1 (1987) |
| Tautz, William | Prelude to Ice Fishing | 12:1 (1987) |
| Tautz, William | Richard | 12:1 (1987) |
| Tautz, William | Shadows and Light | 12:1 (1987) |
| Tautz, William | Testing the Water | 12:1 (1987) |
| Tautz, William | Black and White: the Uptown Cafe | 13:1 (1989) |
| Tautz, William | Reply to a Mugger | 13:1 (1989) |
| Tautz, William | Web | 13:1 (1989) |
| Taylor, Tim | To Jack London | 14 (1991) |
| Taylor, Tim | American Culture | 15 (1992) |
| Tenny, Marie | Beaten Wings | 27 (2004) |
| Tenny, Marie | muffled magic madness | 27 (2004) |
| Tenny, Marie | untitled #1 | 27 (2004) |
| Tenny, Marie | untitled #2 | 27 (2004) |
| Tenny, Marie | Concert Commandments | 28 (2005) |
| Tenny, Marie | Rehearsal | 28 (2005) |
| Tenny, Marie | Time Warp | 28 (2005) |
| Terry, Michael | Hiroshima Sunsets | 18 (1995) |
| Terry, Michael | Illicit Curiosity and the Death of A. G. Pym – Various Attempted Readings of Poe | 18 (1995) |
| Thomas, Jim | An Old Love Letter | 1:1 (1977) |
| Thomas, Jim | One on One | 1:1 (1977) |
| Thomas, Jim | Spring Hawks | 3:2 (1979) |
| Thomas, Jim | Marigold Bed | 5:1 (1980) |
| Thomas, Jim | Touchstone | 5:1 (1980) |
| Thomas, Jim | On Grace | 5:2 (1981) |
| Thomas, Jim | Pasture Birds | 5:2 (1981) |
| Thompson, Cortez | Brother | 2:2 (1978) |
| Thompson, Cortez | A Handful of Haiku | 2:2 (1978) |
| Thompson, Cortez | I Have Darker Hair | 2:2 (1978) |
| Thompson, Jeff | Hiroshima | 4:2 (1980) |
| Thompson, Mark | Be it Ever so Uncolor Coordinated, There’s No Place Like Home | 8:2 (1984) |
| Thompson, Mark | The Mighty Stonecutter | 8:2 (1984) |
| Thompson, Mark | Poetic Justice | 8:2 (1984) |
| Thompson, Mark | The Sacred Tortoise | 8:2 (1984) |
| Thompson, Mark | Snowfall’s End | 8:2 (1984) |
| Thompson, Mark | A Harrowing Experience | 9:2 (1985) |
| Thomson, Emily | More Flowers | 29 (2006) |
| Thorne, Scott | Silhouette | 5:2 (1981) |
| Thornton, Susan | Dancing | 5:1 (1980) |
| Thorpe, J C | Detail from The Gates of Hell | 15 (1992) |
| Thorpe, J C | Dream? To Live Like They Do In The Movies? | 15 (1992) |
| Thorpe, J C | I Don’t Remember Yesterday, Today It Rained | 15 (1992) |
| Thudium, Laura | Memories of My Youth | 2:1 (1977) |
| Thudium, Laura | Poet’s Dilemma: Writing with Feeling | 3:2 (1979) |
| Thudium, Laura | Posters | 3:2 (1979) |
| Thummel, Jill | Bronx Summer | 15 (1992) |
| Thummel, Jill | Cafe at Night | 15 (1992) |
| Thummel, Jill | A Refreshing Lullaby | 15 (1992) |
| Thummel, Jill | Side Show | 15 (1992) |
| Tillman, Crystal | BLACK | 24 (2001) |
| Tillman, Crystal | A Quickie | 24 (2001) |
| Timmer, Alexandra | Shelf Life | 37 (2014) |
| Tinsley, Mary LaFon | Forgotten Photograph | 3:2 (1979) |
| Tinsley, Mary LaFon | September 24 – The Approach | 4:1 (1979) |
| Tolliver, Julia | Devoted one | 20 (1997) |
| Tolliver, Julia | Georgia | 20 (1997) |
| Tolliver, Julia | Hope | 21 (1998) |
| Tollman, Pamela D | The Storm | 6:1 (1981) |
| Traen, Janeen | Maria’s Son | 21 (1998) |
| Traen, Janeen | The Mineral Harpey | 21 (1998) |
| Traen, Janeen | Tablespoons and a Luncheon’s Tragedy | 21 (1998) |
| Traen, Janeen | [untitled photo] (2) | 21 (1998) |
| Traen, Janeen | HRH | 22 (1999) |
| Traen, Janeen | Tulle | 22 (1999) |
| Traen, Janeen | Relief | 23 (2000) |
| Tresnak, Linda | Paleolithic | 3:1 (1978) |
| Trimmer, Linda | Those Lincoln Boys- Abe and Tad | 5:1 (1980) |
| Tripp, Mike | An Errand of Mercy | 4:1 (1979) |
| Tumminia, Eric | Loch Ness | 25 (2002) |
| Tumminia, Eric | Untitled | 25 (2002) |
| Tumminia, Eric | untitled #1 | 26 (2003) |
| Tumminia, Eric | untitled #2 | 26 (2003) |
| Tumminia, Eric | untitled #3 | 26 (2003) |
| Tumminia, Eric | untitled #4 | 26 (2003) |
| Tumminia, Eric, etal | Down | 24:CD (2001) |
| Turnbaugh, Chris | Spring Rising | 1:2 (1977) |
| Turnbaugh, Chris | [untitled poem] | 1:2 (1977) |
| Turnbaugh, Chris | Macram | 2:1 (1977) |
| Turner, Amy | Untitled | 13:2 (1990) |
| Underwood, Julie K | The Play | 10:2 (1986) |
| Urner, Donna | A Cheap Duplex Apartment in Columbia, Missouri | 1:2 (1977) |
| Van Gorp, Robin | The Orders | 11:1 (1986) |
| Van Gorp, Robin | Questions | 11:1 (1986) |
| Vander Heyden, Terry | The Flight | 1:2 (1977) |
| Vander Heyden, Terry | A Single Dip of Rocky Road | 2:2 (1978) |
| Vaught, Paula | Teddy Bear | 37 (2014) |
| Veile, Eric | Fugue for Flutes | 25 (2002) |
| Venable, Laura C | Artistic Interpretation | 11:1 (1986) |
| Venable, Laura C | Love, Labor, Lost | 11:1 (1986) |
| Venable, Laura C | Reflection of Reality | 11:1 (1986) |
| Visnaw, Teresa | Lesson Maker | 11:2 (1987) |
| Wagner, Kathryn | The Dancer | 8:2 (1984) |
| Walcezewski, Matt, etal | Hazard to Ya Booty | 24:CD (2001) |
| Wales, Rachelle | Venetian Rain | 33 (2010) |
| Walk, Jim | It’s Not Fall Out | 11:1 (1986) |
| Walker, George | Ground Hog Day | 3:1 (1978) |
| Walker, George | If Turkeys Could Think – or Some Thoughts Before Dying | 3:1 (1978) |
| Walker, Kaitlin | Bones | 38 (2015) |
| Walz, Carl | Untitled | 27 (2004) |
| Wampler, Megan | #92542455 | 22 (1999) |
| Wampler, Megan | Congo Heat | 22 (1999) |
| Wampler, Megan | Seven Circles | 22 (1999) |
| Wampler, Megan | #8274820 | 23 (2000) |
| Wampler, Megan | The Annunciation | 23 (2000) |
| Wampler, Megan | Audrey | 23 (2000) |
| Wampler, Megan | eLizAN | 23 (2000) |
| Wampler, Megan | [untitled unknown medium] (2) | 23 (2000) |
| Ward, Joel | See Things | 17 (1994) |
| Ward, Steve | Winter Rain | 9:1 (1984) |
| Ward, Terriane | On the Looks from People at a Funeral | 33 (2010) |
| Ward, Terriane | What They Don’t Tell Us | 33 (2010) |
| Warner, Dan | Waking Up From A Dream | 33 (2010) |
| Warner, Dan | Badlands | 33 (2010) |
| Watson, Fran | Do Clothes Make the Woman? | 3:1 (1978) |
| Watson, Richard | Dedicated to the Lost Spirit of Christmas and Salvador Dali | 12:1 (1987) |
| Watson, Richard | Gaia- The Earth Mother | 13:1 (1989) |
| Watson, Richard | 16-Jul-45 | 13:1 (1989) |
| Webber, Kim | Pure Alaskan | 2:2 (1978) |
| Webber, Matt | Prodigal Son Too Late | 21 (1998) |
| Webber, Matt | WASHOUT | 22 (1999) |
| Webber, Matt | “To Warm Me Up” | 24:CD (2001) |
| Webber, Matthew | The Ballad of Amy and Tim | 23 (2000) |
| Webber, Matthew | Where Such Things Go | 23 (2000) |
| Webber, Matthew | Smells Like Teen Spirit | 24 (2001) |
| Webel, Gary | Don’t Muss | 9:1 (1984) |
| Webel, Gary | More Mass Media Mind Muddling | 9:1 (1984) |
| Wegner, Kristen | Modern Raskolnikov | 25 (2002) |
| Wehde, Patricia | Majestic Wave | 8:1 (1983) |
| Wehde, Patricia | Rocking | 8:1 (1983) |
| Wehde, Patricia | A Sounding Brass | 8:1 (1983) |
| Wehde, Patricia | [untitled poem] | 8:1 (1983) |
| Wehde, Patricia | Zeus, This Jerk Might Have You Beat | 8:1 (1983) |
| Wehde, Patricia | By Any Other Name | 8:2 (1984) |
| Wehde, Patricia | Grandpa | 8:2 (1984) |
| Wehde, Patricia | Sister | 8:2 (1984) |
| Weis, J L | techni-color dream, signing off | 13:1 (1989) |
| Wellington, Laura | Begin Again | 32 (2009) |
| Wellington, Laura | Change | 32 (2009) |
| Wellington, Laura | Untitled | 32 (2009) |
| Wellington, Laura | Undying Love | 33 (2010) |
| Wellington, Laura | Wonderland | 33 (2010) |
| Wellington, Laura | And He Gave The Moon Her Light | 33 (2010) |
| Wellington, Laura | Alice | 33 (2010) |
| Wellington, Laura | On the Corner of Michigan and Monroe | 33 (2010) |
| Wellington, Laura | Missy | 33 (2010) |
| Wellington, Laura | Splat Goes the Weasel | 33 (2010) |
| Wells, Kevin | My Lake | 1:2 (1977) |
| Wells, Kevin | I Wonder? | 3:1 (1978) |
| Weltha, Cheryl | “Outside, Inside” | 1:1 (1977) |
| Weltha, Cheryl | [untitled poem] | 1:1 (1977) |
| Weltha, Cheryl | You Are | 1:1 (1977) |
| Wennerberg, Alex | Digital Watches | 37 (2014) |
| Werner, Julia | That Time I Tried to Ride My Bike in Forest Park | 29 (2006) |
| Werner, Kristine | A Grocery List from Dr. Seuss to His Wife | 15 (1992) |
| Werner, Kristine | A Peace of Dream | 15 (1992) |
| Werner, Kristine | Subway Singer | 15 (1992) |
| Werner, Todd | Ellis Island | 20 (1997) |
| Werner, Todd | Most Likely to Succeed | 20 (1997) |
| Werner, Todd | Night | 20 (1997) |
| Werner, Todd | art gallery repose | 21 (1998) |
| Werner, Todd | Cold Evening | 21 (1998) |
| Werner, Todd | A Laypoet’s de to Allen Ginsberg | 21 (1998) |
| Werner, Todd | Lost Luster | 21 (1998) |
| Werner, Todd | tired | 21 (1998) |
| Werner, Todd | year of the ass | 21 (1998) |
| Werner, Todd | Bedroom | 23 (2000) |
| Werner, Todd | Catalog of a One-Bedroom Apt | 23 (2000) |
| Werner, Todd | Poetry Reading | 23 (2000) |
| Werner, Todd | Untitled | 23 (2000) |
| Werner, Todd Allyn | Geometric Hedges | 22 (1999) |
| Werner, Todd Allyn | Moody Morbid Poet | 22 (1999) |
| Werner, Todd Allyn | Prime | 22 (1999) |
| Werner, Todd Allyn | Undead | 22 (1999) |
| Werner, Todd Allyn | Untitled | 22 (1999) |
| Wesson, Gabriel M | Written in Hades | 15 (1992) |
| Wheatley, Tom, etal | Again | 24:CD (2001) |
| Wheatley, Tom, etal | Breaking Point | 24:CD (2001) |
| Wheeler, Paul | Untitled | 38 (2015) |
| Wheeler, Terri | Mother’s Things | 10:2 (1986) |
| Whitaker, Jim | Inside of You, Dear Sir | 1:1 (1977) |
| Whitaker, Jim | Nine Months After the Thought | 1:2 (1977) |
| Whitcomb, Rachel | Suburban Morning | 27 (2004) |
| White, William H | Notes Upon Looking Back | 1:1 (1977) |
| Whitwam, Melissa | Untitled | 25 (2002) |
| Wieman, Dan | Drifting | 18 (1995) |
| Wiese, Walter | Beneath a Snow Moon | 25 (2002) |
| Wiese, Walter | Witch Poem | 25 (2002) |
| Wilkinson, Kristine | Truck Drivers | 8:2 (1984) |
| Wilkison, Kermit | Tree of Infinity | 2:2 (1978) |
| Williams, Alan | [untitled poem] | 13:2 (1990) |
| Williams, Cathy | Molly | 15 (1992) |
| Williams, Ed, etal | Hazard to Ya Booty | 24:CD (2001) |
| Williams, Jordyn | Blood Red | 37 (2014) |
| Williams, Kristen | Travel | 37 (2014) |
| Williams, Kristen | Exposed | 37 (2014) |
| Williams, Kristen | Bass Fish | 37 (2014) |
| Williams, Martin | The Writing | 13:1 (1989) |
| Williams, Marty W | Three | 13:2 (1990) |
| Williams, Nate | Memories of a Cold Boy | 16 (1993) |
| Williams, Nate | Six a.m. at Waffle Inn | 16 (1993) |
| Williams, Nate | Sloan’s Point | 16 (1993) |
| Williams, Orlando | Defeat | 25 (2002) |
| Williams, Rhonda | I Am Wisdom | 8:2 (1984) |
| Williams, Rhonda | Leaves are Like People | 8:2 (1984) |
| Williams, Rhonda | The Poet | 8:2 (1984) |
| Williams, Rhonda | Kitten | 9:1 (1984) |
| Williams, Rhonda | The Organ (Conversation between a blind mother and her deaf child in church) | 9:1 (1984) |
| Wilsey, Hayden | Architect Veins | 37 (2014) |
| Wilsey, Nick | Firewall | 33 (2010) |
| Wilsey, Nick | Tryst of Angels | 30 (2007) |
| Wilson, Aaron | Way Out | 26 (2003) |
| Wilson, Leia | Purple Jesus: Caf Salty Dog | 30 (2007) |
| Wilson, W Aaron | “Because I loved them…” | 24 (2001) |
| Wilson, W Aaron | Three Couples in a Coffee Shop | 27 (2004) |
| Wilson, W Aaron | What Happened | 27 (2004) |
| Wing, Crystal | Jan 21, ’00 | 24 (2001) |
| Wing, Crystal | Lithograph | 24 (2001) |
| Wingate, Lori | Connections | 12:1 (1987) |
| Wingate, Lori | Crayola Winter | 12:1 (1987) |
| Wingate, Lori | Swallowed | 12:1 (1987) |
| Winkleman, Geoffrey | Weathervane | 38 (2015) |
| Winslow, Robin | Untitled | 12:2 (1988) |
| Winter, Benjamin | Perkins | 33 (2010) |
| Wisley, Nick | Corner Pocket | 30 (2007) |
| Woehlke, Erika | Cricket the Despot | 22 (1999) |
| Wolfe, Todd | Applying Abraham Lincoln’s Insight | 11:2 (1987) |
| Wood, Melissa | Untitled | 21 (1998) |
| Wood, Robert | Girl from the North Country Revisited | 21 (1998) |
| Wood, Tiffany | Morning Hunt | 14 (1991) |
| Woods, Caroline | [untitled photo] | 20 (1997) |
| Woods, Laurel Lea | Summer | 6:2 (1981) |
| Wright, Josh | Floss | 23 (2000) |
| Wright, Josh | Oh Captain, Our Captain | 23 (2000) |
| Wright, Josh | The Physicist | 23 (2000) |
| Wyatt, Janet | Rusting Steel | 9:1 (1984) |
| Wyatt, Janet | IV | 11:1 (1986) |
| Wyatt, Janet | Justified | 11:1 (1986) |
| Wyatt, Janet | Masterpieces Sold Here | 11:1 (1986) |
| Wyatt, Janet | Turtle Marsh | 11:1 (1986) |
| Wyatt, Janet | V | 11:1 (1986) |
| Wyatt, Janet | Green is My Favorite Color | 11:2 (1987) |
| Wyatt, Janet | Half Dreams | 11:2 (1987) |
| Wyatt, Janet | House of Gray | 11:2 (1987) |
| Wyatt, Janet | Remains | 11:2 (1987) |
| Wyatt, Janet | Portrait | 12:2 (1988) |
| Wyly, Ron | Carnival Worker | 2:1 (1977) |
| Wyly, Ron | The Driver’s Overture | 7:2 (1983) |
| Wyly, Ron | The Family Heart | 7:2 (1983) |
| Wynn, Meg | The King’s Horse | 8:2 (1984) |
| Wyss, Geoff | Draw Me a Picture | 11:2 (1987) |
| Wyss, Geoff | Of Red and Instigation | 11:2 (1987) |
| Wyss, Geoff | Stars | 11:2 (1987) |
| Wyss, Geoff | Three Inches of Change | 11:2 (1987) |
| Wyss, Geoff | Kirksville Midwinter (sidewalk scene) | 12:1 (1987) |
| Wyss, Geoff | The Sentence | 12:1 (1987) |
| Wyss, Geoff | Uppercut (the dilemma of slow-motion movement) | 12:1 (1987) |
| Wyss, Geoff | The Face of Poetry in the late Eighties: An Interview with Jim Barnes | 12:2 (1988) |
| Wyss, Geoff | Glass | 12:2 (1988) |
| Wyss, Geoff | [untitled poem] | 12:2 (1988) |
| Wyss, Geoff | Her Severance | 13:1 (1989) |
| Wyss, Geoff | Many Ways | 13:1 (1989) |
| Wyss, Geoff | The Tattoo Machine | 13:2 (1990) |
| Yakle, Danielle | Untitled | 26 (2003) |
| Yakle, Danielle | [untitled sculpture] (2) | 26 (2003) |
| Yamazawa, Kenji | [untitled poem] | 12:1 (1987) |
| Yarolimek, Tony | As One | 9:2 (1985) |
| Yarolimek, Tony | A Cool Mist Rises | 9:2 (1985) |
| Yarolimek, Tony | Face of Death | 9:2 (1985) |
| Yarolimek, Tony | Rapture | 9:2 (1985) |
| Yearns, Janet | The New Hope Ballad of Tater Salad | 5:2 (1981) |
| Yearns, Janet | Expulsion of a Life’s Goals | 6:1 (1981) |
| Yearns, Janet | To Those Who Come to My Doorstep | 6:1 (1981) |
| Yearns, Janet | Another Deadly Aim | 6:2 (1981) |
| Yearns, Janet | Evenings | 6:2 (1981) |
| Yearns, Janet | Flat Tire | 7:2 (1983) |
| Yearns, Janet | Kerry Came For Christmas | 7:2 (1983) |
| Yearns, Janet | Mother | 7:2 (1983) |
| Yearns, Janet | Bloodline | 8:1 (1983) |
| Yearns, Janet | The Christening | 8:1 (1983) |
| Yearns, Janet | Gettysburg, Lincoln Style | 8:1 (1983) |
| Yearns, Janet | Identities | 8:1 (1983) |
| Yearns, Janet | Offspring | 8:1 (1983) |
| Yearns, Janet | True Story | 8:1 (1983) |
| Yearns, Janet | You Ask Me Why | 8:1 (1983) |
| Yearns, Janet | All Good Gifts | 8:2 (1984) |
| Yearns, Janet | Grandpa’s Homecoming | 8:2 (1984) |
| Yearns, Janet | Laundromat | 8:2 (1984) |
| Yearns, Janet | This Do in Remembrance of Me, I Corinthians 11:27-29 | 8:2 (1984) |
| Young, William | The Orange, Thinking Machine | 32 (2009) |
| Ziegler, Christine | Reflections | 9:2 (1985) |
| Zimmerman, Sheila M | Dream Waves | 6:2 (1981) |
| Zucchi, Rodger | Schoolboards in General | 3:1 (1978) |
| Zukowski, Mary | The Bob A. Fan Club | 10:2 (1986) |
| Wales, Rachelle | My Muse Likes Greek Food | 34 (2011) |
| Wales, Rachelle | 1/25x | 34 (2011) |
| Wales, Rachelle | We Are a Planet of Great Vacancies | 34 (2011) |
| Fritz, Kathryn | The Apparition | 34 (2011) |
| Fritz, Kathryn | If Only | 34 (2011) |
| Talbot, Kyle | Swiss Cheese, House Made of Holes | 34 (2011) |
| Talbot, Kyle | Two Dimensional Lines | 34 (2011) |
| Talbot, Kyle | Anti-Creation | 34 (2011) |
| Graf, Natalie | Untitled | 34 (2011) |
| Graf, Natalie | Untitled | 34 (2011) |
| Graf, Natalie | While Brownies Bake | 34 (2011) |
| Duggan, Catherine | Childhood Reruns | 34 (2011) |
| Duggan, Catherine | Musica Universalis | 34 (2011) |
| Schleisman, Allison | Untitled | 34 (2011) |
| Schleisman, Allison | A Tragedy | 34 (2011) |
| Phillips, Jessica | Perspective on a White Wall | 34 (2011) |
| Phillips, Jessica | Affairs with Snakes | 34 (2011) |
| Hernandez, Rebekah | Untitled | 34 (2011) |
| Hernandez, Rebekah | Untitled | 34 (2011) |
| Hernandez, Rebekah | Untitled | 34 (2011) |
| Hernandez, Rebekah | Untitled | 34 (2011) |
| May, Ashley | Self Portrait with Bubbles | 34 (2011) |
| Stevenson, Melissa | Oriental Lilies | 34 (2011) |
| Glaeser, Colleen | Carnival | 34 (2011) |
| Bowman, Claire | Without a Sound | 34 (2011) |
| Bowman, Claire | Age and Rotation | 34 (2011) |
| Frank, Cory | Untitled | 34 (2011) |
| Wilsey, Hayden | Dear Calculus | 34 (2011) |
| Wilsey, Hayden | Untitled | 34 (2011) |
| Wilsey, Hayden | Signs | 34 (2011) |
| Wilsey, Hayden | Mi Amor | 34 (2011) |
| Hitzel, John | Fear in a Handful of Dust | 34 (2011) |
| Hitzel, John | For Sally the Stolen | 34 (2011) |
| Johnston, April | They Will See Us Waving | 34 (2011) |
| Johnston, April | Una Gran Via Por Cierto | 34 (2011) |
| Wellington, Laura | City Gate | 34 (2011) |
| Wellington, Laura | Now What? | 34 (2011) |
| Wellington, Laura | Foreboding | 34 (2011) |
| Kotur, Kevin | Testament | 34 (2011) |
| Chandler, Noelle | There Are No Kids, Only | 34 (2011) |
| Chandler, Noelle | Untitled | 34 (2011) |
| Chandler, Noelle | Change | 34 (2011) |
| Hudson, Victoria | On the Steps of the Courthouse | 34 (2011) |
| Hudson, Victoria | Olivia | 34 (2011) |
| Schlueter, Kirk | Age | 34 (2011) |
| Spence, Katy | Nature, Homecoming | 34 (2011) |
| Kindiger, Andrew | Ojai | 34 (2011) |
| Kindiger, Andrew | Untitled | 34 (2011) |
| Kindiger, Andrew | Holy | 34 (2011) |
| Gyawali, Slok | The Omnipresent Elephant | 34 (2011) |
| Barry, Stephanie | Frame by Frame | 34 (2011) |
| Kling, Cassie | Untitled | 34 (2011) |
| Maurer, Arthur | Marbled Face | 34 (2011) |
| Roeder, Emma | Leonard | 34 (2011) |
| Perrey, Julie | Timepieces | 34 (2011) |
| Miller, Jennifer | Besides, White Chickens | 34 (2011) |
| Convers, Claudia | Umbrella | 34 (2011) |
| Convers, Claudia | Window | 34 (2011) |
| Price, Michael | Untitled | 34 (2011) |
| Henderson, Casey | Untitled | 34 (2011) |
| Boos, Jackie | Night at Le Renard | 34 (2011) |
| Pohlman, Mia | Grandma’s Voice | 34 (2011) |
| Gannon, Emily | Untitled | 34 (2011) |
| Rupp, Meredith | Still Life Of A Broken Heart | 34 (2011) |
| Rosen, Yosef | Flicker | 34 (2011) |
| Caton, Codi | Metaphors | 35 (2012) |
| Rosen, Yosef | Under | 35 (2012) |
| Rosen, Yosef | August | 35 (2012) |
| Rosen, Yosef | The News | 35 (2012) |
| Self, Kirsten | The Continent’s Largest Remaining Tract of Tallgrass | 35 (2012) |
| Estep, Ashlee | Viewpoint | 35 (2012) |
| Davis, Harley | Season of Gloom | 35 (2012) |
| Davis, Harley | Gender Stereotypes | 35 (2012) |
| Yarbrough, Lauren | “Angel” | 35 (2012) |
| Spillars, Rachel | Their Broken Nails | 35 (2012) |
| Kuntz, Hilary | Redbud | 35 (2012) |
| Kuntz, Hilary | Mantis | 35 (2012) |
| Schlueter, Kirk | My Grandpa Leads Prayer | 35 (2012) |
| Schlueter, Kirk | Speak | 35 (2012) |
| Wales, Rachelle | Piscary | 35 (2012) |
| Wales, Rachelle | To Speak with My Mother | 35 (2012) |
| Hudson, Tori | Girl Scout Camp, 1998 | 35 (2012) |
| Hudson, Tori | Untitled | 35 (2012) |
| Hudson, Tori | No One Belongs Here More Than You | 35 (2012) |
| Sandifer, Anthony | Lombard | 35 (2012) |
| Denight, Jeffrey | Silk Pajamas, Silk Sheets | 35 (2012) |
| Kleinsorge, Ashley | Red Buttons and the Ten of Swords | 35 (2012) |
| Koehne, Betsy | Sonnet for Granny | 35 (2012) |
| Koehne, Betsy | Skin Signals | 35 (2012) |
| Parks, Beatriz | April Song | 35 (2012) |
| Parks, Beatriz | Road To Waukaway | 35 (2012) |
| Benefield, Hope | Oedipus and the Complexity of Apples | 35 (2012) |
| Benefield, Hope | I Figure I’ll Talk A Yarn and You’ll Listen Good | 35 (2012) |
| Pohlman, Mia | Crack in the Sidewalk | 35 (2012) |
| Kapitan, Melissa | Brink | 35 (2012) |
| Mehmert, Megan | Dirt | 35 (2012) |
| Mehmert, Megan | Gifts | 35 (2012) |
| Mehmert, Megan | Maintenance | 35 (2012) |
| Mehmert, Megan | Express | 35 (2012) |
| Mehmert, Megan | Experience | 35 (2012) |
| Mehmert, Megan | Somersaulting | 35 (2012) |
| Gearin, Conor | Morning Fogs | 35 (2012) |
| Gearin, Conor | Reproduction Spyglass | 35 (2012) |
| Gearin, Conor | God Bless | 35 (2012) |
| Wellington, Laura | Nothing Is Random | 35 (2012) |
| Wellington, Laura | Dissolution | 35 (2012) |
| Wellington, Laura | In Which My Father Asks Me To Reflect Upon Our Relationship, While I Was Expecting to Merely Continue Our Philosophy Discussion | 35 (2012) |
| Hudson, Victoria | Sandra, Jenny, and Sulmy | 35 (2012) |
| Emerick, Madison | Her Violin | 35 (2012) |
| Emerick, Madison | Music | 35 (2012) |
| Emerick, Madison | Multi-Personality | 35 (2012) |
| Emerick, Madison | Headscarf | 35 (2012) |
| Emerick, Madison | Baroque | 35 (2012) |
| Emerick, Madison | Peekaboo | 35 (2012) |
| Emerick, Madison | Dancing Shoes | 35 (2012) |
| Santoli, Joseph | In My Image | 35 (2012) |
| Rae, Doyle | Description of Dense Light | 35 (2012) |
| McClain, Kathryn | Waiting at the Bus Stop | 35 (2012) |
| McClain, Kathryn | Whatever You Wish For You Keep | 35 (2012) |
| Kotur, Kevin | Exploring Marge | 35 (2012) |
| Kotur, Kevin | September Elevation | 35 (2012) |
| Emily Battmer | Stillness | 35 (2012) |
| Williamson, Bobby | Dandelions | 36 (2013) |
| Williamson, Bobby | Drilling Outside Mescalero, New Mexico | 36 (2013) |
| Schlueter,Kirk | Grounded | 36 (2013) |
| Schlueter,Kirk | And You, Carl Sagan? | 36 (2013) |
| Schlueter,Kirk | Forget | 36 (2013) |
| Kotur, Kevin | Adoration | 36 (2013) |
| Kotur, Kevin | Backpacking | 36 (2013) |
| Timmer, Alexandra | Word Vomit | 36 (2013) |
| Timmer, Alexandra | Que Sera Sera | 36 (2013) |
| Kline, Jennifer | Church of the Holy Sepulchre | 36 (2013) |
| Kline, Jennifer | Forsythia | 36 (2013) |
| Lubhan, Kira | Ruthie | 36 (2013) |
| Lubhan, Kira | Definitely Not Jam | 36 (2013) |
| Stanley, Helen | please whisper | 36 (2013) |
| Van Weeldon, Kaylee | I Sucked on Stones Because They Tasted Like Rain | 36 (2013) |
| Spangler, Keithlee | Oh, Happy Sun | 36 (2013) |
| Spangler, Keithlee | Wilt | 36 (2013) |
| Busby, Kayla | All That Is Left | 36 (2013) |
| Busby, Kayla | Bubble Chamber | 36 (2013) |
| Busby, Kayla | I Think, Therefore I Am | 36 (2013) |
| Busby, Kayla | Untitled | 36 (2013) |
| Agbehia, Sarah-Wonder | My father, the dove | 36 (2013) |
| Sluder, Matt | Hanging | 36 (2013) |
| Dykes, Sara | Sidewalk Jumping | 36 (2013) |
| Ogan, Madeleine | Untitled | 36 (2013) |
| Thies, Gus | Family Portrait | 36 (2013) |
| Thies, Gus | Hanging by a Thread | 36 (2013) |
| Thies, Gus | Firework | 36 (2013) |
| Thies, Gus | Untitled | 36 (2013) |
| Gearin, Conor | Penned Thoughts | 36 (2013) |
| Gearin, Conor | Flowers of St. Petersburg | 36 (2013) |
| Caton, Devan | A year of coloring books and | 36 (2013) |
| Pattee, Megan | Untitled | 36 (2013) |
| Fifer, Liz | Sabaism | 36 (2013) |
| Pyles, Dylan | Dear Old Omaha | 36 (2013) |
| Fister, Greg | Untitled | 36 (2013) |
| Schott, Ashley | Thesaurus, Rex | 36 (2013) |
| Rosell, Josiah | Jabaloo | 36 (2013) |
| Rosell, Hannah | Obsession | 36 (2013) |
| O’Mara, Catherine | Untitled | 36 (2013) |
| Estep, Ashlee R. | The Tale of Three Sea Rats | 36 (2013) |
| Frank, Lydia | Reverence | 36 (2013) |
| Emerick, Madison | Lily | 36 (2013) |
| Davis, Harley | Misty | 36 (2013) |
| Wildhaber, Theresa | Youth | 36 (2013) |
| Lance, Lance | Yawpings of an Unbarbaric Poet: | 36 (2013) |
| Crall, Nathan | The White Wall | 36 (2013) |
| Crall, Nathan | Bundle from Above | 36 (2013) |
| Zahnd, Philip | World of Paradoxical Sleep | 36 (2013) |
| Brooks, John | Bedtime | 36 (2013) |
| Dinkins, Jesse | On How I Used to Feel | 39 (2016) |
| Dinkins, Jesse | For Henry | 39 (2016) |
| Dinkins, Jesse | That Time I Looked at Pi Kapp and had an Existential Crisis | 39 (2016) |
| Gaines, Ashley | Sipping River Water | 39 (2016) |
| Gaines, Ashley | Silver-Tongued Vagabond | 39 (2016) |
| Dezeeuw, Zane | Tumbleweed Rd. | 39 (2016) |
| Dezeeuw, Zane | Sonnet | 39 (2016) |
| Dezeeuw, Zane | Eigengrau | 39 (2016) |
| Harrison, Brenden | Beauty Among Death | 39 (2016) |
| Harrison, Brenden | Untouched | 39 (2016) |
| Allen, Genevieve | Learning to Read a Love Letter | 39 (2016) |
| Allen, Genevieve | Cruising | 39 (2016) |
| Conover, Parker | Like Waves | 39 (2016) |
| Conover, Parker | Mark Hughes | 39 (2016) |
| Conover, Parker | Sobering Happiness | 39 (2016) |
| Leuci, Lena | Why does the break start so late? | 39 (2016) |
| Leuci, Lena | KODAK 400-2TMY, roll 7, frame 15, silver gelatin print | 39 (2016) |
| Leuci, Lena | Pentax Sketch | 39 (2016) |
| DeWolf, Sarah | Ted | 39 (2016) |
| Schenk, Brittany | Destroy Them with Lasers | 39 (2016) |
| Pearson, Madi | Enteroctopus | 39 (2016) |
| Pearson, Madi | Chrysaora Quinquecirrne | 39 (2016) |
| Burland, Anna | Sunrise Under Streetlights | 39 (2016) |
| Burland, Anna | Porzana Carolina | 39 (2016) |
| Welch, Natalie | Southward Sinking | 39 (2016) |
| Hult, Allie | Fool’s Gold | 39 (2016) |
| Frank, Lydia | Untitled | 39 (2016) |
| Frank, Lydia | Airports | 39 (2016) |
| Hawkins, Kate | A Bouquet of Matches | 39 (2016) |
| Hawkins, Kate | Who Walks the Stairs Without a Care? | 39 (2016) |
| St. John, Lindsey | Beautiful Ending | 39 (2016) |
| Hollstrom, Zach | Concert hall | 39 (2016) |
| Martin, Danielle | Summer Day on Inis Mor | 39 (2016) |
| Albers, Melissa | Vive La Revolution | 39 (2016) |
| Albers, Melissa | Cycle | 39 (2016) |
| Dux, Megan | Sane at Work | 39 (2016) |
| Conry, Rowen | The Nails | 39 (2016) |
| Sullivan, Trista | Weekly Amnesia | 39 (2016) |
| Phan, Nicholas | I Wanna Be Hero — But Not Today | 39 (2016) |
| Phan, Nicholas | Demon of the East | 39 (2016) |
| Phan, Nicholas | For You: One More Time | 39 (2016) |
| Walker, Katlin | Notes for the Surrender-Callers | 39 (2016) |
| Walker, Katlin | Ode to Burnt Matches | 39 (2016) |
| Walker, Katlin | Spider Corpses | 39 (2016) |
| Maldonado-Velez, Sebastian | “Oceanic” to Savannah St. Augustine | 39 (2016) |
| Maldonado-Velez, Sebastian | Elevator | 39 (2016) |
| Maldonado-Velez, Sebastian | Love my grandfather says | 39 (2016) |
| Chatham, Kira | Oregon | 39 (2016) |
| Piedimonte, William | The Mayflower | 39 (2016) |
| Sutton, Arielle | Ashtray Musings | 39 (2016) |
| Fetcher, Rachel | Fish Tank | 39 (2016) |
| Ziebarth, Rachel | Grief | 39 (2016) |
| Graef, Rachel | Dead | 39 (2016) |
| Graef, Rachel | Alive | 39 (2016) |
| Graef, Rachel | Frankie | 39 (2016) |
| Edele, Sharon | For My Tomb | 39 (2016) |
| Edele, Sharon | Light Pollution | 39 (2016) |
| Edele, Sharon | Hidden Affliction | 39 (2016) |
| Martin, Tom | Will Work 4 40 dollars | 39 (2016) |
| Litwiller, Hannah | Penis Envy | 39 (2016) |
| Kuennen, Madeleine | Bad New | 39 (2016) |
| Stobbe, Emily | Fatgirl | 39 (2016) |
| Jones, Morgan | Summer Fay | 39 (2016) |
| Jones, Morgan | Snow White | 39 (2016) |
| Gaston, Allision | The Logic of Sleep | 39 (2016) |
| Matheney, Megan | Little White Spider | 39 (2016) |
| Woollett, Isabelle | Mother Bear | 39 (2016) |
| Rosell, Josiah | Eavesdropping | 39 (2016) |
| Adesida, Aderinsola | Rhythm and Blues | 39 (2016) |
| Murrillo, Sara | Feeding the Forgotten | 39 (2016) |
| Alexander, Bailey | 11/12/2016 | 40 (2017) |
| Mueller, Hunter | Eight Ball, Corner Pocket | 40 (2017) |
| Mackey, Olivia | Making the Cut | 40 (2017) |
| Katz, Joseph | The Pack of Light | 40 (2017) |
| Katz, Joseph | Slug Bug | 40 (2017) |
| Katz, Joseph | Two Feet Below Sea Level | 40 (2017) |
| Fry, Benji | Petrichor | 40 (2017) |
| Andrzejewski, Sam | transparent | 40 (2017) |
| Andrzejewski, Sam | bedsheets | 40 (2017) |
| Fechter, Rachel | A Shark’s Dillema | 40 (2017) |
| Geiman, Kristin | Hugging a Rock | 40 (2017) |
| Geiman, Kristin | The Goodbye Song and Life Welcomed | 40 (2017) |
| Geiman, Kristin | Summer Switch | 40 (2017) |
| Adeshakin, Alexia | Wanderer | 40 (2017) |
| Smithson, Dave | The Rock Dove | 40 (2017) |
| Smithson, Dave | Hi-Ho | 40 (2017) |
| Smithson, Dave | Frank | 40 (2017) |
| Saathoff, Micaela | The Fool on the Hill | 40 (2017) |
| Saathoff, Micaela | Nowhere Man | 40 (2017) |
| Saathoff, Micaela | The Playmate | 40 (2017) |
| Morgan, Anne | Passive | 40 (2017) |
| Morgan, Anne | Lost | 40 (2017) |
| Chang, Jonas | The Destroyer | 40 (2017) |
| McCallum, Ryan | Dahlia | 40 (2017) |
| Shouse, Emma | Windcatcher of Dowlat Abbey | 40 (2017) |
| Whyte, Kayley | Floating Away | 40 (2017) |
| Bladow, Jason | Alone.exe | 40 (2017) |
| Hicks, Sarah | Your Invisible Effect | 40 (2017) |
| Hicks, Sarah | Midwest Twilight | 40 (2017) |
| Hicks, Sarah | Daydreaming | 40 (2017) |
| Hicks, Sarah | A Dream | 40 (2017) |
| Leuci, Lena | Ponce de Leon, Daytona | 40 (2017) |
| Leuci, Lena | Daytona Beach | 40 (2017) |
| Leuci, Lena | Cane in Via Guglielmo Marconi | 40 (2017) |
| Leuci, Lena | 9 43 58 | 40 (2017) |
| Hawkins, Kate | My Favorite Things | 40 (2017) |
| Hawkins, Kate | Catcalled | 40 (2017) |
| Hawkins, Kate | Hurricane | 40 (2017) |
| Graef, Rachel | No. 18 | 40 (2017) |
| Graef, Rachel | Leon | 40 (2017) |
| Graef, Rachel | Din, Farore, Nayru | 40 (2017) |
| Piedimonte, William | Leftover | 40 (2017) |
| Piedimonte, William | We don’t stop in Indiana anymore | 40 (2017) |
| Piedimonte, William | Sunday | 40 (2017) |
| Malinee, Grace | Conversation With a Priest After the Martyrdom of Jacques Hamel | 40 (2017) |
| Jones, Madison | Walelu | 40 (2017) |
| Lee-Carson, Daisha | art nightowl x | 40 (2017) |
| Lee-Carson, Daisha | art girl with glasses | 40 (2017) |
| Perry, Laura | Mr. Speckles, the Spectacular Specacle | 40 (2017) |
| Perry, Laura | Drone Parent | 40 (2017) |
| Benson, Kirsten | The Morning After Dollar Margs | 40 (2017) |
| Benson, Kirsten | Skin | 40 (2017) |
| Richardt, Madeline | Selene | 40 (2017) |
| Schuchard, Lydia | Tree Trunk Woman | 40 (2017) |
| Albers, Melissa | uncomfy | 40 (2017) |
| Colangelo, Jacob | For B.B. King | 40 (2017) |
| Colangelo, Jacob | Thoughts in Isolation | 40 (2017) |
| Chapman, Karis | The Nutcracker | 40 (2017) |
| Nelson, Tori | That Stupid Crayon | 40 (2017) |
| Vivid, Anna | Sad Feeling | 41 (2018) |
| Vivid, Anna | In My Head Self Portrait | 41 (2018) |
| Vivid, Anna | Female Figure Drawing 7.55 | 41 (2018) |
| Piedimonte, William | Honeysuckle | 41 (2018) |
| Piedimonte, William | My Brother’s Grief | 41 (2018) |
| Piedimonte, William | Uncoupling | 41 (2018) |
| Smith, Madeline | To Myself | 41 (2018) |
| Smithson, Dave | Visitor | 41 (2018) |
| Smithson, Dave | Elevator Music | 41 (2018) |
| Smithson, Dave | Morning Glory | 41 (2018) |
| Rose, Brandon | Arcana | 41 (2018) |
| Rose, Brandon | Auto-da-fe | 41 (2018) |
| Lawson, Kayley | Digging Through the Hollow | 41 (2018) |
| Appelbaum, Nathan | Pale With Pastel | 41 (2018) |
| Appelbaum, Nathan | Ink and Paper | 41 (2018) |
| Appelbaum, Nathan | The Mountain Road | 41 (2018) |
| Poindexter, Stephen | Neon City | 41 (2018) |
| Lawson, Alexandra | More Nightmare then Dreamscape | 41 (2018) |
| Turner, Breann | Vacation | 41 (2018) |
| Ye, Jasmine | Untitled | 41 (2018) |
| Ye, Jasmine | marigolds | 41 (2018) |
| Webber, Jordan R. | The Bay | 41 (2018) |
| Hawkins, Sydney | Walls | 41 (2018) |
| Chiles, Michael | Why Did You Eat That? | 41 (2018) |
| Chiles, Michael | Never Daughters and Dead Sons | 41 (2018) |
| Chiles, Michael | Library Faeries | 41 (2018) |
| Chiles, Michael | Tiger | 41 (2018) |
| Sanchez, Genesis | The Role of a Lifetime | 41 (2018) |
| Holmgren, Natalie | Through the Glass | 41 (2018) |
| Singh, Sathya | Whiskey Muse | 41 (2018) |
| Gillette, Carly | Seven Words | 41 (2018) |
| Gillette, Carly | Backhanded Sonnet | 41 (2018) |
| de la Cruz, Denise | suspension of disbelief | 41 (2018) |
| Kennedy, Kristin | And I’m Just Over Here Like… | 41 (2018) |
| Kennedy, Kristin | Windows to the Soul | 41 (2018) |
| Fink, Jeremy | Feasting Forest | 41 (2018) |
| Fink, Jeremy | Pirandello | 41 (2018) |
| Fink, Jeremy | Could you imagine Death on a bicycle? | 41 (2018) |
| Whyte, Kayley | There’s a Hole | 41 (2018) |
| Whyte, Kayley | Cardiophobia | 41 (2018) |
| Whyte, Kayley | Loving You | 41 (2018) |
| McCrea, Ashley | Untitled | 41 (2018) |
| McCrea, Ashley | Untitled | 41 (2018) |
| Nielsen, Eli | Dyeing Streets | 41 (2018) |
| Alexander, Katie | Timeless | 41 (2018) |
| Alexander, Katie | Yellow | 41 (2018) |
| Alexander, Katie | Do Not Sing My Name Into the Sky | 41 (2018) |
| Alexander, Katie | Nothing, Not at All | 41 (2018) |
| Jennings, Daniel P. | Little Flower | 41 (2018) |
| Jennings, Daniel P. | so close | 41 (2018) |
| Saathoff, Micaela | Squeak | 41 (2018) |
| Saathoff, Micaela | Cinders | 41 (2018) |
| Saathoff, Micaela | Vovo | 41 (2018) |
| Pezza, Mattea | Dawn | 41 (2018) |
| Pezza, Mattea | Fog | 41 (2018) |
| Pezza, Mattea | Winter Morning | 41 (2018) |
| Perry, Laura | The Incredible Mrs. Freckles | 41 (2018) |
| Wimmer, Sara J. | Collage | 41 (2018) |
| Wimmer, Sara J. | Mtn Dew | 41 (2018) |
| Lewis, Kayla | Jack | 41 (2018) |
| Padron Garcia, Maria Eugenia | Tomorrow | 41 (2018) |
| Comas, Rebecca | Red Balloon | 41 (2018) |
| Hicks, Sarah | Beyond the Crater | 41 (2018) |
| Hicks, Sarah | Double Take | 41 (2018) |
| Stowers, Mary | Eclipse | 41 (2018) |
| Benevento, Claire | Ode to Beards | 41 (2018) |
| Benevento, Claire | Winter hurts | 41 (2018) |
| Benevento, Claire | Boyfriend Shirts | 41 (2018) |
| Holtmeyer, Sarah | Self-Portrait as a Piece of Chalk | 41 (2018) |
| Nevels, Mollie | Ex | 41 (2018) |
| Nevels, Mollie | Still | 41 (2018) |
| Ellis, Elyse | color me in | 41 (2018) |
| Ellis, Elyse | The Weight of Rainfall | 41 (2018) |
| Duffy, Syrus | Bridges | 41 (2018) |
| Frantom, Zoe | Intention Scene | 41 (2018) |
| Hammon, Alex | Sylvan Lake, South Dakota | 41 (2018) |
| McIntyre, Katie | An Elegy (Because You Can’t Defend Yourself) | 41 (2018) |
| Hodge, Meg | The World You Make | 41 (2018) |
| Rosenau, Liam | Drip | 42 (2019) |
| Rosenau, Liam | Season’s Change | 42 (2019) |
| Rosenau, Liam | Tape and Ink | 42 (2019) |
| Rosenau, Liam | Subtle | 42 (2019) |
| Krieger, Jessica | I’ve Discovered the World and It’s Beautiful | 42 (2019) |
| Chapman, Jordan | Gladly | 42 (2019) |
| Geiman, Kristin | County Line Rd | 42 (2019) |
| Geiman, Kristin | Larger Than Life | 42 (2019) |
| Geiman, Kristin | Swing | 42 (2019) |
| Saathoff, Micaela | Shyla | 42 (2019) |
| Saathoff, Micaela | Morton Salt Girl | 42 (2019) |
| Saathoff, Micaela | Forgotten Usually | 42 (2019) |
| Saathoff, Micaela | George | 42 (2019) |
| Slama, Joe | Neighbors and Faerie | 42 (2019) |
| Slama, Joe | City of the Saints | 42 (2019) |
| Banks, Marissa | Transition | 42 (2019) |
| Banks, Marissa | Touch the Stars | 42 (2019) |
| Rose, Brandon | Divine Poultry (From the Depths) | 42 (2019) |
| Rose, Brandon | An Open Letter to Work | 42 (2019) |
| Rose, Brandon | Cheap Tricks | 42 (2019) |
| Hartmann, Emma | turquoise clementine | 42 (2019) |
| Hartmann, Emma | roadkill season | 42 (2019) |
| Hartmann, Emma | split | 42 (2019) |
| Hartmann, Emma | lincoln’s lies | 42 (2019) |
| Deutsch, Anna | Dust Bunnies | 42 (2019) |
| Martin, Aura | You Were Saying About Yesterday | 42 (2019) |
| Martin, Aura | Stares Intent on Disappearing You | 42 (2019) |
| Cervantez, Maiya | Twenty to Nine | 42 (2019) |
| Cervantez, Maiya | Fingers | 42 (2019) |
| Cervantez, Maiya | Moonlight | 42 (2019) |
| Whyte, Kayley | Eulogy | 42 (2019) |
| Whyte, Kayley | Inebriated | 42 (2019) |
| Whyte, Kayley | Endlessly | 42 (2019) |
| O’Laughlin, Kimberly | Third Floor | 42 (2019) |
| O’Laughlin, Kimberly | Brett Kavanaugh Sees Rocky III on June 13, 1982 | 42 (2019) |
| O’Laughlin, Kimberly | Overdue | 42 (2019) |
| Shipley, Laurie | Causing Impact | 42 (2019) |
| Shipley, Laurie | Our Earth | 42 (2019) |
| Shipley, Laurie | The New Lone Tree | 42 (2019) |
| Ramos, Kimberly | Star-Crossed | 42 (2019) |
| Ramos, Kimberly | Pastoral Exhibition | 42 (2019) |
| Ramos, Kimberly | The Myth of Feminine | 42 (2019) |
| Ramos, Kimberly | The Creator | 42 (2019) |
| Leslie, Becca | In Your Fast Car | 42 (2019) |
| Swope, Zachary | i saw the white horse on the back of the blue bunny delivery truck | 42 (2019) |
| Swope, Zachary | all we have left is a snow globe | 42 (2019) |
| Swope, Zachary | Acknowledgements | 42 (2019) |
| Krieger, Jessica | The Untouchables | 42 (2019) |
| Krieger, Jessica | Rattle | 42 (2019) |
| McIntyre, Kate | And the next one won’t be yellow | 42 (2019) |
| Hodge, Meg | Funeral Lace | 42 (2019) |
| Hodge, Meg | Leery Light | 42 (2019) |
| Chaney, Vita | Argentum | 42 (2019) |
| Sanchez, Genesis | At in the Kitchen | 42 (2019) |
| Stowers, Mary | Watermelon Seeds | 42 (2019) |
| Benevento, Claire | Nothing Gold Can Stay | 42 (2019) |
| Benevento, Claire | Three Scenarios in which Ashlyn Doesn’t Win | 42 (2019) |
| Buerge, Mattea | Black Sheep | 42 (2019) |
| Campbell, Adrienne | Dawn | 42 (2019) |
| Campbell, Adrienne | Paper Blinds | 42 (2019) |
| Fries, William | Munitions to Mankind | 42 (2019) |
| Poindexter, Stephen | Two Virgins | 42 (2019) |
| Teague, Kali | Exigency | 42 (2019) |
| Nielsen, Eli | Empty | 42 (2019) |
| Cutkomp, Bethany | Unanswered Questions | 42 (2019) |
| Chedwick, Coal | Childhood Secrets | 42 (2019) |
| Katz, Joseph | Autopgraphy | 42 (2019) |
| Capehart, Danielle | Bees | 42 (2019) |
| McIntyre, Katie | Green Lucy | 43 (2020) |
| McIntyre, Katie | Rhod-Oro Byr | 43 (2020) |
| McIntyre, Katie | View Outside an American Train Window | 43 (2020) |
| Belford, James | Rain | 43 (2020) |
| Taylor, Caroline | An Ode to my Houseplant | 43 (2020) |
| Taylor, Caroline | Instead I Sent Only a ? | 43 (2020) |
| Taylor, Caroline | Pnevma | 43 (2020) |
| Moore, Brandon | A Treatise on Masculinity: A Funeral for Marcus | 43 (2020) |
| Moore, Brandon | A Treatise on Masculinity: Waterfalls | 43 (2020) |
| Dougherty, Joey | Campus | 43 (2020) |
| Dougherty, Joey | Micah | 43 (2020) |
| Dougherty, Joey | The Quiet | 43 (2020) |
| Wilson, Kate | ignorance | 43 (2020) |
| Wilson, Kate | Our Father, Who Art in Seven-Eleven | 43 (2020) |
| Powell, Justis | Here’s the Thing | 43 (2020) |
| Powell, Justis | Milkweed | 43 (2020) |
| Chapman, Karis | Libearian | 43 (2020) |
| Chapman, Karis | Pretty Cry | 43 (2020) |
| Chapman, Karis | Streetlamps | 43 (2020) |
| Threlkeld, Dakota | Memento Mori | 43 (2020) |
| Threlkeld, Dakota | Sneaky Snakes | 43 (2020) |
| Cronin, Keeley | Meanwhile | 43 (2020) |
| Cronin, Keeley | Times I Thought You Were Going to Die: a Triptych | 43 (2020) |
| Ramos, Kimberly | Face Mites | 43 (2020) |
| Ramos, Kimberly | I Think I Would Be Better | 43 (2020) |
| Ramos, Kimberly | Rover | 43 (2020) |
| Daugherty, Grace | I FELL FOR THE SUN | 43 (2020) |
| Daugherty, Grace | LOST | 43 (2020) |
| Hayden, Jill | My Garden | 43 (2020) |
| Gibson, Paul | burnt rice | 43 (2020) |
| Gibson, Paul | this poem is nonfiction | 43 (2020) |
| Holmes, Arik | The Schlemiel | 43 (2020) |
| Holmes, Arik | Wandering Wonders | 43 (2020) |
| Bichsel, Tyler | The Flying Tomango | 43 (2020) |
| Bichsel, Tyler | Ship of Dreams | 43 (2020) |
| Kluesner, Savanna | Famous Last Words | 43 (2020) |
| Fink, Jeremy | Vulture | 43 (2020) |
| Zacher, Wes | Artsy Skies | 43 (2020) |
| Zacher, Wes | Lightning | 43 (2020) |
| Zacher, Wes | Ozark at Dusk | 43 (2020) |
| Hodge, Meg | Blooming Directions | 43 (2020) |
| Hodge, Meg | Spinning | 43 (2020) |
| Miriani, Abby | Loud Like Love | 43 (2020) |
| Miriani, Abby | Lust Becomes Impulsive | 43 (2020) |
| Miriani, Abby | A Venomous Voice | 43 (2020) |
| McClain, Madi | In Transit | 43 (2020) |
| McClain, Madi | Slug Bug | 43 (2020) |
| McClain, Madi | Snoozin | 43 (2020) |
| Gallagher, Megan | Serenity | 43 (2020) |
| Gruber, Natalie | Bigfoot and his Muse / Mothman in Domestic Bliss | 43 (2020) |
| Gruber, Natalie | Braid Weaver | 43 (2020) |
| Gruber, Natalie | Entomology | 43 (2020) |
| Rosenau, Liam | Ink and Graphite Floral Skull | 43 (2020) |
| Hanson, Tyler | Wormhole | 43 (2020) |
| Buerge, Mattea | A Cousin to Jade | 43 (2020) |
| Buerge, Mattea | The Old Prairie Barn | 43 (2020) |
| Teague, Kali | Anchovies are Disgusting | 43 (2020) |
| Teague, Kali | Melancholia | 43 (2020) |
| Wilson, Kate | Stir | 43 (2020) |
| Whiting, Hannah | Can | 43 (2020) |
| Whiting, Hannah | Doss | 43 (2020) |
| Whiting, Hannah | Wobble | 43 (2020) |
| Jones, Krystal | Behind the Alleyways | 43 (2020) |
| Hanson, Tyler | Secrets | 43 (2020) |
| Hanson, Tyler | Through | 43 (2020) |
| Hughes, Leashanna | Jellyfish Dreamscape | 43 (2020) |
| Comas, Rebecca | Like Nobody’s Watching | 43 (2020) |
| Riordan, Padraic | Roles | 43 (2020) |
| Stowers, Mary | Schadenfreude | 43 (2020) |
| Stowers, Mary | Lovecraftian Caffeine | 44 (2021) |
| Stowers, Mary | Thank God it’s Basically Just the Flu | 44 (2021) |
| Whitehouse, Rachel | Everything Makes Sense and The World is Starting (2020-2021) | 44 (2021) |
| Whitehouse, Rachel | Nothing Makes Sense and The World is Ending (October 2019) | 44 (2021) |
| Shellabarger, Alyssa | Before You Left | 44 (2021) |
| Mobley, Katherine | Formaldehyde | 44 (2021) |
| Mobley, Katherine | When the loving ends, | 44 (2021) |
| Mobley, Katherine | Yggdrasil | 44 (2021) |
| Fox, Esther | Days on the Ceiling | 44 (2021) |
| Fox, Esther | Find and Found | 44 (2021) |
| Fox, Esther | Untitled | 44 (2021) |
| Wright, Catherine | round | 44 (2021) |
| Wright, Catherine | untitled | 44 (2021) |
| Benevento, Claire | Angeline | 44 (2021) |
| Benevento, Claire | Distancing | 44 (2021) |
| Benevento, Claire | Three Scenarios in Which I Am Cold after Kelly Luce | 44 (2021) |
| Raymond, Joseph | One Drop | 44 (2021) |
| Moore, Brandon | In the Kitchen Sink | 44 (2021) |
| Moore, Brandon | Love in the time of COVID | 44 (2021) |
| Moore, Brandon | This is Just to Say to William Carlos Williams | 44 (2021) |
| O’Brien, Annie | Learning to Count | 44 (2021) |
| Thomassen, Julie | A Light Drizzle | 44 (2021) |
| Thomassen, Julie | A Night Walk | 44 (2021) |
| Rose, Dayten | Confessions from the Vincent Price Film Festival | 44 (2021) |
| Rose, Dayten | I don’t know how to say, | 44 (2021) |
| Rose, Dayten | Love Poem | 44 (2021) |
| Loesing, Emma | A Night Drive | 44 (2021) |
| Loesing, Emma | Sleeping Together | 44 (2021) |
| Cutkomp, Bethany | Dino-Mite | 44 (2021) |
| Cutkomp, Bethany | Snow-Prints | 44 (2021) |
| Daugherty, Grace | Familiar Infatuation | 44 (2021) |
| Daugherty, Grace | Unspoken Prayers | 44 (2021) |
| Taylor, Caroline | They Have Said that Possession is Nine-tenths of the Law | 44 (2021) |
| Taylor, Caroline | Toward Aeaea: An Ode by Necessity | 44 (2021) |
| Welbourne, Iva | Seed Pods | 44 (2021) |
| Welbourne, Iva | This is Your Brain on Acid | 44 (2021) |
| Welbourne, Iva | The Merrier | 44 (2021) |
| Maschhoff, Allison | WEAK, POMPOUS, ALONE, ETC. | 44 (2021) |
| Dougherty, Joey | The Village in the North | 44 (2021) |
| Schmidt, Evelyn | The Adventure of Cousin Ruth and the Rain | 44 (2021) |
| Winkler, Valerie | Match Soup-A Side Effect of Alzheimer’s | 44 (2021) |
| Garber, Amaris | A Soft Future | 44 (2021) |
| Gallagher, Megan | Sweet and Sinister | 44 (2021) |
| Gallagher, Megan | You | 44 (2021) |
| Manzelli, Jenna | 2:00 AM | 44 (2021) |
| Gruber, Natalie | Argus | 44 (2021) |
| Gruber, Natalie | Flesh | 44 (2021) |
| Gruber, Natalie | Wallpaper | 44 (2021) |
| Gruber, Natalie | Wet Specimens | 44 (2021) |
| Workman, Halle | Branch | 44 (2021) |
| Workman, Halle | Mountains | 44 (2021) |
| Workman, Halle | Rodeo | 44 (2021) |
| Montufar, Shania | Home | 44 (2021) |
| Montufar, Shania | Kirksville Summers | 44 (2021) |
| Montufar, Shania | Steel Haze | 44 (2021) |
| Green, Kayla | Blue Jay | 44 (2021) |
| Green, Kayla | Butterfly | 44 (2021) |
| Whiting, Hannah | Glimpsey | 44 (2021) |
| Whiting, Hannah | It’s got hands | 44 (2021) |
| Whiting, Hannah | On the Surface of a Man | 44 (2021) |
| Foutch, Jamie | Bones & The Boys | 44 (2021) |
| Foutch, Jamie | High Waves | 44 (2021) |
| Foutch, Jamie | It Was Gross but It Was Cool | 44 (2021) |
| Shahi, Harshavardhan | Solitude | 44 (2021) |
| Shahi, Harshavardhan | Soul in the Sky | 44 (2021) |
| Scafe, Wesley | Artifact | 44 (2021) |
| Scafe, Wesley | Lifebloood | 44 (2021) |
| Scafe, Wesley | Market Worship | 44 (2021) |
| Ramos, Kimberly | Different Kinds of Sky: A Field Guide | 44 (2021) |
| Ramos, Kimberly | Yahoo Answers | 44 (2021) |
| Riordan, Padraic | The One and Only | 44 (2021) |
| Riordan, Padraic | Soft Words Spoken at the Window | 44 (2021) |
| Riordan, Padraic | Subject 4300 | 44 (2021) |
| McMurray, McKelvie | Starcrossed | 44 (2021) |
| Wohlschlaeger, Laney | CMYI and why the Trees are Gray Now | 45 (2022) |
| Teague, Kali | A Walk | 45 (2022) |
| Shahi, Harshavardhan | Wanna Go Stargazing? | 45 (2022) |
| Welbourne, Iva | Dream Folk | 45 (2022) |
| Poindexter, Stephen | The Blessed Virgin Mary with Pills | 45 (2022) |
| Richmond, Abby | Split | 45 (2022) |
| Richmond, Abby | Glimpse of My Future | 45 (2022) |
| Soete, Nora | Mountainside House | 45 (2022) |
| Slater, Isiah | Crystallized | 45 (2022) |
| Scafe, Wesley | All in Your Head | 45 (2022) |
| Eaton, Mel | Depths of the Sea | 45 (2022) |
| Newell, Gina | Kirksville | 45 (2022) |
| Shahi, Harshavardhan | Tranquil | 45 (2022) |
| Teague, Kali | Portraits of Growth | 45 (2022) |
| Kincaid, Robin | Time Assuages | 45 (2022) |
| Fox, Esther | Pearl Necklace | 45 (2022) |
| Newell, Gina | Giraffe Weevil | 45 (2022) |
| Ramos, Kim | There’s a God for Everything | 45 (2022) |
| Stowers, Mary | On the Kissing of Frogs | 45 (2022) |
| Ramos, Kim | AITA | 45 (2022) |
| Ramos, Kim | Gutting the Trout | 45 (2022) |
| Sweeney, Mackenzie | Branches | 45 (2022) |
| Starkey, Clare | Ossuary | 45 (2022) |
| Starkey, Clare | The Immortal Crisis | 45 (2022) |
| Stringer, Grace | Af . ter /aft r/ preposition | 45 (2022) |
| Hannay, Del | Youngest Sibling Syndrome | 45 (2022) |
| Wright, Catherine | kudzu | 45 (2022) |
| Mobley, Kate | Dale Cooper Takes A Night Trip To Walmart | 45 (2022) |
| Cutkomp, Bethany | With Love, The Friend You’ve Left Behind | 45 (2022) |
| Ramos, Kim | mushroom hunting | 45 (2022) |
| Cutkomp, Bethany | 4 AM – Lapse | 45 (2022) |
| Quendensley, Naomi | Ode to Lilith | 45 (2022) |
| Miller, Marcella | Lava Lamp | 45 (2022) |
| Aldrich, Zoe | Mary Magdalene, Hold My Tongue | 45 (2022) |
| Holmes, Arik | I’m Gonna Roll | 45 (2022) |
| Kincaid, Robin | Ages (From a Childhood Photo) | 45 (2022) |
| Hannay, Del | Kiss of Victory | 45 (2022) |
| Taylor, Caroline | Vegetus | 45 (2022) |
| Potter, Alex | A Terminal Intercourse of Pain and Discourse | 45 (2022) |
| DeBosier, Macy | Written on a broken man | 45 (2022) |
| Gran, Samantha | Aftermath | 45 (2022) |
| Kincaid, Robin | At My Funeral | 45 (2022) |
| Shelton, Connor | If you were a popsicle | 45 (2022) |
| Gran, Samantha | Heartworm | 45 (2022) |
| Garber, Amaris | A Saturday Night in Early May (a love note to my friends) | 45 (2022) |
| Mobley, Kate | The Poet, In Love | 45 (2022) |
| Gran, Samantha | Elegy | 45 (2022) |
| Jones, Krystal | MOTHERHOOD 4:1 | 45 (2022) |
| Christensen, Ali | Evening Walk | 45 (2022) |
| Potter, Alex | The Joys I’d Give to You, O My Love | 45 (2022) |
| Kincaid, Robin | Pointing Fingers | 45 (2022) |
| Mobley, Kate | A Fever You Can’t Sweat Out | 45 (2022) |
| Daugherty, Grace | Perharps | 45 (2022) |
| Taylor, Caroline | Golden Shovel for Terrance Hayes | 45 (2022) |
| Scafe, Wesley | did you know that they taste with their feet? | 45 (2022) |
| Jones, Krystal | A Courtesy Call From God | 45 (2022) |
| Ragouzis-Roman, Sofia | Storyteller | 45 (2022) |
| Schmidt, Evelyn | Spider String | 45 (2022) |
| Mobley, Kate | The Third Circle or (The Glutton Has Once Again Overeaten) | 45 (2022) |
| Potter, Alex | I Learned From TV Who Women Ought to Be | 45 (2022) |
| Bichsel, Tyler | Anthropology | 45 (2022) |
| Stowers, Mary | Quarter Past Four | 45 (2022) |
| Daugherty, Grace | Questions That Scare Me | 45 (2022) |
| Stowers, Mary | What I Meant Was | 45 (2022) |
| Potter, Alex | Apathy’s a Tragedy, Derealization a Curse | 45 (2022) |
| Christensen, Ali | As I sit beneath a dying porch light (villanelle) | 45 (2022) |
| Christensen, Ali | To Stay or to Shatter | 45 (2022) |
| Jones, Krystal | maybe is all we know | 45 (2022) |
| Norman, Tess | Weatherman | 45 (2022) |
| Fuemmeler, Ryan | to caspar | 45 (2022) |
| Hannay, Del | The Girls of Marseille | 45 (2022) |
| Wohlschlaeger, Laney | CMYK and why the Trees are Gray Now | 46 (2023) |
| Taylor, Caroline | Neighbor | 46 (2023) |
| Aldrich, Zoe | Poem Beginning With A Line From Ocean Vuong | 46 (2023) |
| Quendensley, Naomi | gemels (inosculation in the morning light) | 46 (2023) |
| Battson, Celia | DTF | 46 (2023) |
| Taylor, Caroline | Vessels | 46 (2023) |
| Gran, Samantha | February 6, 2_38am | 46 (2023) |
| Gran, Samantha | haptics | 46 (2023) |
| Aldrich, Zoe | Phlebotomy, lycanthropy, And How I Took Back The West | 46 (2023) |
| Aldrich, Zoe | Wall Street Journal/Early February | 46 (2023) |
| Mobley, Kate | Sex, as worship | 46 (2023) |
| Taylor, Caroline | Symbiosis | 46 (2023) |
| Taylor, Caroline | Rebellion | 46 (2023) |
| Aldrich, Zoe | Afterparty | 46 (2023) |
| Stevenson, Hannah | TILL SITY | 46 (2023) |
| Mobley, Kate | alternate universe in which you feel alive | 46 (2023) |
| Battson, Celia | That Little Clown | 46 (2023) |
| Christensen, Ali | is this the end? | 46 (2023) |
| Battson, Celia | I yearn, I long | 46 (2023) |
| Shellabarger, Alyssa | Stone Castles | 46 (2023) |
| Christensen, Ali | I will wait | 46 (2023) |
| Quendensley, Naomi | supplication (my love, it is it is) | 46 (2023) |
| Bichsel, Tyler | The Foil | 46 (2023) |
| Mobley, Kate | In the limelight, we all look nauseous | 46 (2023) |
| McGhee, Megan | Mathematics was a Bird I Wanted to Hold in My Hand | 46 (2023) |
| Owsley, Mike | An obituary for the end of summer | 46 (2023) |
| Christensen, Ali | feverish delirium | 46 (2023) |
| Adams, Claire | antioxidants | 46 (2023) |
| Kammerer, Logan | Ramblings of a nostalgic hiker | 46 (2023) |
| Christensen, Ali | House Across the Street | 46 (2023) |
| McGhee, Megan | Volume | 46 (2023) |
| Kammerer, Logan | I Thirst | 46 (2023) |
| Shellabarger, Alyssa | Midwestern Skies | 46 (2023) |
| Daugherty, Grace | If I Heal Me, Will I Heal Me? | 46 (2023) |
| Sweeney, Mackenzie | Cynthia | 46 (2023) |
| Daugherty, Grace | We Forget Then We Imagine Then We Are Children Again | 46 (2023) |
| Norman, Jack | Real and True | 46 (2023) |
| Quendensley, Naomi | Overture | 46 (2023) |
| McGhee, Megan | The Phone Screen | 46 (2023) |
| Kammerer, Logan | Delusion | 46 (2023) |
| Kammerer, Logan | Unwanted | 46 (2023) |
| Shellabarger, Alyssa | Bad Omens | 46 (2023) |
| Rouse, Nate | in the empty backstage hallway of my high school | 46 (2023) |
| Quendensley, Naomi | I don’t want to love the way the moon loves the ocean | 46 (2023) |
| Eaton, Mel | The Ember Brewing | 46 (2023) |
| Juan, Izzy | Trip To Portugal | 46 (2023) |
| Kincaid, Robin | The Cabinet of Curiosities | 46 (2023) |
| Schodl, Thomas | Memories | 46 (2023) |
| Schodl, Thomas | Wander | 46 (2023) |
| Juan, Izzy | Trip To Portugal | 46 (2023) |
| Schodl, Thomas | Brandy | 46 (2023) |
| Schodl, Thomas | Adorned | 46 (2023) |
| Richardson, Megan | Best, Yours | 46 (2023) |
| McDermott, Maddie | How To Talk To Your Dying Father | 46 (2023) |
| Sweeney, Mackenzie | Dusk | 46 (2023) |
| Norman, Jack | Sleepy | 46 (2023) |
| Mertz, Maddie | Wicker Street | 46 (2023) |
| Mertz, Maddie | And The Bells Tolled | 46 (2023) |